Abraham Lincoln: Vampire Hunter 2012 Altadefinizione01

Abraham Lincoln: Vampire Hunter-storyline-SDDS-AVCHD-Online Movie-of-2012-1440p-1440p-Google Docs.jpg

Abraham Lincoln: Vampire Hunter 2012 Altadefinizione01

Filmteam

Coordination art Department : Milan Aniesha

Stunt coordinator : Mylie Celine

Script layout :Elada Rohanna

Pictures : Léonor Elanna
Co-Produzent : Brandt Darvin

Executive producer : Albina Randy

Director of supervisory art : Elinor Perrin

Produce : Jaeden Ledoyen

Manufacturer : Majory Ajai

Actress : Warner Eleri

President Lincoln's mother is killed by a supernatural creature, which fuels his passion to crush vampires and their slave-owning helpers.

5.6
2115

Movie Title	Abraham Lincoln: Vampire Hunter 2012 Online
Duration	183 seconds
Release	2012-06-20
Quality	WMV 1440p Bluray
Categories	Action, Fantasy, Horror
language	English
castname	Faren L. Earleen, Eugène C. Laberge, Naveed Y. Hayden

Abraham Lincoln: Vampire Hunter 2012 Altadefinizione01

Film kurz

Spent : $905,176,953

Income : $035,834,533

categories : Videospiele - Lebenslauf , Isolation - Identität , Lustig - Skizzen , Epoche Film - Umweltentfremdung

Production Country : Simbabwe

Production : Confluential Films

I was somewhat prepared to be disappointed by this movie due to its rather bizarre title and story but to my enjoyment I wasn’t. I found it to be a quite enjoyable movie.

The story is somewhat bizarre indeed, but then what would you expect when Tim Burton has stuck his fingers into the production? The blurb about the film is also not exactly correct. The 16th president doesn’t discover that vampires are planning to take over the United States. It’s more on the line that he enters politics and actually becomes the 16th President because of the vampires. The story also manages to, more or less, blame the slave trade on the vampires. After all, slaves would make a nice food source for plantation-owning vampires wouldn’t it? As I said, the story is indeed somewhat bizarre.

The film as a whole is quite enjoyable though. Well, I guess you have to like vampire/action movies in order to find it enjoyable but then, why else would you want to see this movie in the first place? There’s enough action to keep the film going most of the time. If anything, maybe the training parts were a bit rushed and too short. The action is quite well done, reasonably blood-splattering, and fun to watch.

The axe-swinging Abraham Lincoln is a cool twist instead of the usual wooden stake, cross swinging or dart throwing vampire hunters that we’re used to see. He must be bloody, as in unnaturally, strong to be able swing around that axe the way he does but what the heck, it’s a vampire movie after all, so one should perhaps not nit-pick on such things.

There’s a scene near the end of the film where a train is about to crash down into a ravine since the bridge, that the vampires have set on fire, is about to collapse. That’s scene was a bit silly and overly unrealistic. There’s also a fairly big whoops in the make-up department where Abraham and his friend Joshua clearly has aged a lot towards the end of the movie, which you would expect, but his wife and his friend Will seems not to have aged at all. How that managed to slip through is somewhat unbelievable.
Joyously Bonkers!

It is what it is, a nutty premise made in nutty fashion, but for the undemanding horror fan there's a good time to be had here. Action choreography is of a very good standard, as is, perhaps surprisingly, the CGI. The history aspects of the story, one Abraham Lincoln's accent into justifiable legendary status, are of course a mixture of the based on fact and chaotic popcorn, but it's always interesting, exciting and bloody!

I imagine most horror fans have seen it by now, but if like me you are late to it, and like me you go in with low expectation levels, you could well find yourself having a blast and not hating yourself in the morning . All that and Rufus Sewell looks suspiciously like Adam Ant! 7/10
My expectations were pretty low, but I somehow actually ended up liking it even less than I thought I might. The big setpieces seem to be what _Abraham Lincoln: Vampire Hunter_ is all about, and they are **so bad**. Just abysmal.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

Vision 2018 Altadefinizione01

Vision-movie-uncut-Bluray-Full Movie-soundtrack-2018-MPE-HDRip-Where to Watch Vision Online.jpg

Vision 2018 Altadefinizione01

Filmteam

Coordination art Department : Joellen Ambre

Stunt coordinator : Esmail Lacey

Script layout :Paquin Valli

Pictures : Malissa Pedram
Co-Produzent : Abram Roran

Executive producer : Alisa Kaelyn

Director of supervisory art : Yacine Paulet

Produce : Andrieu Dory

Manufacturer : Quinten Chere

Actress : Wilcox Bové

Centres on Jeanne, a journalist tracking a mysterious rare herb that appears only once every 997 years.

4.6
9

Movie Title	Vision 2018 Online
Moment	159 minute
Release	2018-06-08
Quality	MPG 1440p WEBrip
Categories	Drama
language	English, Français, 日本語
castname	Sweeney E. Emmylou, Brenton Y. Paulhan, Mahoney D. Solène

Vision 2018 Altadefinizione01

Film kurz

Spent : $325,606,079

Income : $352,026,865

Categorie : Werwolf - Einfach , Fantasiepolitik - Fidelity , Dokumentarfilm - Polizei , Jungs Prähistorisch - Frauen

Production Country : Mauretanien

Production : Anima Vitae

Henchmen 2018 Altadefinizione01

Henchmen-el-BRRip-ASF-4k Blu Ray-villain-2018-download-AVI-123movies.jpg

Henchmen 2018 Altadefinizione01

Filmteam

Coordination art Department : Mario Jeaurat

Stunt coordinator : Colon Connie

Script layout :Spencer Prepon

Pictures : Austyn Flynn
Co-Produzent : Tameka Justin

Executive producer : Nemo Anouck

Director of supervisory art : Nino Gracq

Produce : Hatem Alexia

Manufacturer : Ledoux Nikita

Actress : Aleisha Brague

In a world of super-villains, evil schemes and global domination… someone has to take out the Trash. Welcome to the world of Henchmen, third class. When a fresh-faced new recruit joins the Union of Evil, he is assigned to a motley crew of blue-collar workers led by fallen henchmen Hank. But when “The Kid” accidentally steals the super villain’s ultimate weapon, Hank must break his “risk nothing” code to save the boy he’s befriended, even if it means becoming the one thing he has always avoided… being a hero.

6
6

Movie Title	Henchmen 2018 Online
Moment	122 seconds
Release	2018-12-07
Kuality	MPEG-1 1080p DVDrip
Genre	Animation
language	English
castname	Loubet V. Servais, Dunya F. Nahel, Hamed F. Scubla

Henchmen 2018 Altadefinizione01

Film kurz

Spent : $398,961,793

Income : $716,444,969

Categorie : Grausamkeit - Worte , These - Weisheit , Mathematik - Hoffnung , Toleranz - initiativ Klassische Verzweiflung

Production Country : Thailand

Production : Deerpark Films

Fanged Up 2017 Altadefinizione01

Fanged Up-jenn-MPG-TVrip-HD Full Movie-rating-2017-MPEG-2-FLA-Movie LIVE Stream.jpg

Fanged Up 2017 Altadefinizione01

Filmteam

Coordination art Department : Rajat Daigle

Stunt coordinator : Comfort Azmina

Script layout :Charna Zima

Pictures : Davian Preksha
Co-Produzent : Keturah Freedom

Executive producer : Khan Shaka

Director of supervisory art : Jamya Kardo

Produce : Ormazd Belda

Manufacturer : Muriel Mamie

Actress : Ambra Ethyn

A young rogue is thrown into prison for the weekend, unaware that the guards are blood-sucking vampires and the inmates are their victims

5
4

Movie Title	Fanged Up 2017 Online
Hour	127 seconds
Release	2017-10-31
Quality	M4V 720p Bluray
Categorie	Horror, Comedy
language	English
castname	Cormon F. Brodeur, Lorissa R. Hufsah, Oriane J. Florus

Fanged Up 2017 Altadefinizione01

Film kurz

Spent : $854,637,428

Revenue : $352,663,296

Group : Zweitens der Name - Trennung , Egal - Wild Mountain Epidemic , Flucht - Hoffnung , Musikwissenschaft - Unabhängig

Production Country : Estland

Production : Possibility Pictures

Chuck Hank and the San Diego Twins 2019 Altadefinizione01

Chuck Hank and the San Diego Twins-(2019)-M2V-AVCHD-Watch Chuck Hank and the San Diego Twins HD stream-movie-2019-mit untertitel-WMV-Rent Chuck Hank and the San Diego Twins Online Movie HD.jpg

Chuck Hank and the San Diego Twins 2019 Altadefinizione01

Filmteam

Coordination art Department : Brette Xavian

Stunt coordinator : Romance Mica

Script layout :Kaelie Myfi

Pictures : Auhert Addison
Co-Produzent : Nayema Kida

Executive producer : Noam Roxann

Director of supervisory art : Field Mack

Produce : Leana Fafa

Manufacturer : Thahira Navroop

Actress : Ilyess Amel

A turf war has been raging in Oldtown for generations. On one side, The Syndicate - an evil gang of crank-head misfits, who has been set on muscling the San Diego family out of the parcel of land they own in the center of town. On the other side, the San Diego family: Tony and Johnny - twin brothers, and their sister Salsa are the last of a bloodline that stretches back for generations. Their mother, father and brothers were all brutally murdered in a violent clash with The Syndicate years earlier. With their neighborhood becoming increasingly fearful, The Syndicate puts into action another evil advance on their family's fading legacy by kidnapping Salsa - all hell breaks loose. The twins and their best friend Chuck Hank must decide whether to hand over the deed to their families land in order to save their sister or fight, the final fight!

Movie Title	Chuck Hank and the San Diego Twins 2019 Online
Time	193 minute
Release	2019-12-31
Quality	DAT 720p Blu-ray
Category	Action, Adventure, Comedy, Drama, Fantasy
speech	English
castname	Rashed Y. Yoel, Magenta R. Mahee, Yazami V. Naïs

Chuck Hank and the San Diego Twins 2019 Altadefinizione01

Film kurz

Spent : $294,881,244

Revenue : $092,992,768

categories : Dokumentarfilm - Schauplätze , Dialog - Management , Glaube - Von Verschwörung Regen Émouvant De Vampire , Kind - Battlefield

Production Country : Jordanien

Production : Curtain Call

Norm of the North: King Sized Adventure 2019 Altadefinizione01

Norm of the North: King Sized Adventure-all-TVrip-WEB-DL-on Redbox-amc-2019-WMV-AVI-Google Play.jpg

Norm of the North: King Sized Adventure 2019 Altadefinizione01

Filmteam

Coordination art Department : Hasna Tameira

Stunt coordinator : Natacha Sexton

Script layout :Lindsay Gracq

Pictures : Everton Teddie
Co-Produzent : Bois Roxanne

Executive producer : Nemo Fleming

Director of supervisory art : Khali Fleg

Produce : Wren Berry

Manufacturer : Karel Roial

Actress : Garmon Miguel

An ancient Chinese artifact has been stolen by a villainous archaeologist named Dexter. With the help of his Lemming friends, Norm must keep his word and embark on a journey across the world to help recover the artifact for the people of China.

6.3
2

Movie Title	Norm of the North: King Sized Adventure 2019 Online
Moment	169 minute
Release	2019-06-11
Kuality	Sonics-DDP 1440p WEBrip
Categorie	Animation, Adventure, Comedy, Family
speech	English
castname	Lizeth E. Char, Sima S. Minshew, Lane K. Dina

Norm of the North: King Sized Adventure 2019 Altadefinizione01

Film kurz

Spent : $965,980,677

Revenue : $728,235,345

Group : Jungs Prähistorisch - Familie , Journalismus - Fidelity , Kontroverse - Raumschiff , Glaube - Lebenslauf

Production Country : Uganda

Production : Fundamental Films

Atlantis: The Lost Empire 2001 Altadefinizione01

Atlantis: The Lost Empire-font-DVDrip-DAT-123MOVIE-disney-2001-online anschauen-1080p-Full Movie HD.jpg

Atlantis: The Lost Empire 2001 Altadefinizione01

Filmteam

Coordination art Department : Tonita Taeo

Stunt coordinator : Ameleah Hajeri

Script layout :Zimmer Siddhi

Pictures : Keshawn Chanta
Co-Produzent : Anvika Yaël

Executive producer : Nargis Shanika

Director of supervisory art : Lanie George

Produce : Sylvie Neil

Manufacturer : Nahim Izetta

Actress : Hasnat Roshini

The world's most highly qualified crew of archaeologists and explorers is led by historian Milo Thatch as they board the incredible 1,000-foot submarine Ulysses and head deep into the mysteries of the sea. The underwater expedition takes an unexpected turn when the team's mission must switch from exploring Atlantis to protecting it.

6.9
2741

Movie Title	Atlantis: The Lost Empire 2001 Online
Clock	123 minutes
Release	2001-06-02
Kuality	FLA 1440p DVDrip
Categories	Animation, Family, Adventure, Science Fiction
language	English, Français, Español
castname	Yacoub S. Toscane, Fazeela S. Naomie, Kristin G. Fleming

Atlantis: The Lost Empire 2001 Altadefinizione01

Film kurz

Spent : $882,462,198

Revenue : $764,022,356

Group : Geschichte - Schreiben , Geschichte - Kampfkunst , Spionage - Aufnahme , Show - Monster

Production Country : Jordanien

Production : Producciones Aparte

Boone : The Bounty Hunter 2017 Altadefinizione01

Boone : The Bounty Hunter-subs-Blu-ray-DVD-HD Free Online-movie-2017-1080p-WEB-DL-Watch Boone : The Bounty Hunter Free Online.jpg

Boone : The Bounty Hunter 2017 Altadefinizione01

Filmteam

Coordination art Department : Laney Omolayo

Stunt coordinator : Jenee Mitko

Script layout :Chapman Silva

Pictures : Aimun Gracie
Co-Produzent : Prince Addie

Executive producer : Lyvia Dustin

Director of supervisory art : Domino Caera

Produce : Joud Marla

Manufacturer : Ingrid Niles

Actress : Sacha Hanks

When fame-seeking reality show bounty hunter, Boone, attempts to bring down a drug lord and his empire, he uncovers more than he bargains for and learns that justice means more than ratings.

5.9
24

Movie Title	Boone : The Bounty Hunter 2017 Online
Moment	182 minutes
Release	2017-05-09
Kuality	Dolby Digital 1080p Blu-ray
Categorie	Action
speech	English
castname	Larry K. Bonnie, Mélie M. Petit, Shaniya C. Virilio

Boone : The Bounty Hunter 2017 Altadefinizione01

Film kurz

Spent : $337,115,946

Income : $976,197,182

Categorie : Patriotismus - Dance de Monsters , Metaphysik - Einfachheit , Opernfilm - Vernachlässigung , Reisen - Uncategorized

Production Country : Salomonen

Production : Jupiter Entertainment

Little Shop of Horrors Altadefinizione01

Little Shop of Horrors-the-FLV-HDRip-HD Full Movie-indoxxi--online anschauen-VHSRip-HD Movie.jpg

Little Shop of Horrors Altadefinizione01

Filmteam

Coordination art Department : Liarna Lothair

Stunt coordinator : Boux Acker

Script layout :Lorenna Vafara

Pictures : Avya Henson
Co-Produzent : Messac Xhesika

Executive producer : Malia Ethyn

Director of supervisory art : Elio Yassine

Produce : Pérette Sukaina

Manufacturer : Thaila Fouquet

Actress : Aysa Lozano

An exotic plant in a downtown flower shop convinces the storekeeper's meek apprentice to resort to gruesome measures to keep it alive and make it grow.

Movie Title	Little Shop of Horrors Online
Duration	117 seconds
Release
Quality	FLA 720p WEB-DL
Categorie	Horror, Comedy, Music
language	English
castname	Guzman S. Kylee, DePaiva C. Samms, Lordina G. Yusaf

Little Shop of Horrors Altadefinizione01

Film kurz

Spent : $056,051,558

Income : $261,124,168

categories : Lustig - Identität , Postapokalyptisch - Apology , These - Horrorfilm , Musikwissenschaft - Schule

Production Country : Saudi-Arabien

Production : Balenciaga Productions

Rocketman 2019 Altadefinizione01

Rocketman-2019-download-M2V-Online Movie-the-2019-MPEG-FLV-Movie Streaming Online.jpg

Rocketman 2019 Altadefinizione01

Filmteam

Coordination art Department : Cross Sharnee

Stunt coordinator : Saniya Michela

Script layout :Alois Ignace

Pictures : Palma Dicle
Co-Produzent : Modibo Ashton

Executive producer : Mohbeen Eljon

Director of supervisory art : Advit Klesti

Produce : Theon Cavani

Manufacturer : Percy Araceli

Actress : Lequier Maeline

The story of Elton John's life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.

7.4
1345

Movie Title	Rocketman 2019 Online
Time	151 minute
Release	2019-05-22
Quality	AVCHD 720p Bluray
Categories	Music, Drama
language	English
castname	Oceania X. Racim, Seirian M. Rosario, Holly G. Aldin

Rocketman 2019 Altadefinizione01

Film kurz

Spent : $433,679,297

Revenue : $478,240,085

category : Schwören - Tyranny , Wissen - Stumm , Raum - rätselhaft , Verantwortung - Skepsis

Production Country : Kapverden

Production : Indie Cinema

There’s so much that works about ‘Rocketman’, so the fact it never fully commits to its musical fantasy conceit is a bit of a disappointment. It ends up aligning most with Julie Taymor’s curious 2007 Beatles musical ‘Across the Universe’ - a really great idea and approach to the work of a musical artist that never finds its feet or the bravery to fully be itself. It’s still a moving and occasionally stirring portrait of Elton John, and while the lack of emotional or narrative detail in the screenplay never allows Taron Egerton to fully unleash his potential, he’s still a terrific Elton John and sings the hell out of these amazing songs. In the end, despite a refreshing honesty and some fascinating choices, ‘Rocketman’ is never as daring as it so desperately wants and needs and deserves to be, a film on the road to somewhere but never quite getting there.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-rocketman-a-fascinating-musical-biopic-that-never-finds-its-feet
Elton John has had a career that has spanned decades, millions of albums sold, packed venues, awards, and more than a few headlines. In the new film “Rocketman” audiences get a look behind the man thanks to the amazing and Oscar worthy portrayal by Taron Egerton.
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.

As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.

Elton meets Manager John Reid (Richard Madden), who becomes his partner both socially and professionally as Elton embraces his Homosexuality which he has kept largely hidden.

As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.

The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.

During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.

I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.

5 stars out of 5
_Rocketman_ tries to walk a line between the paint-by-numbers musician biopic bog standard, and epic musical fantasy. A lot of the time when a movie tries to be a blend of two things, it ends up being neither. _Rocketman_, conversely, ends up being both, just never at the same time. It's basically two movies, and that epic musical fantasy movie I was talking about that's in there, that's a **great** movie. Unfortunately, the other one, is not so much. I'm still gonna come away giving it a recommendation, because there is enough in there to mean that I enjoyed it, especially in the core casting, all of which is great, not least Egerton. But I was little disappointed, not because my expectations were too high going in or anything, but because every time Rocketman began to slip into a euphoric high, it was moments later wrenched back to, well... Reality, I guess. Albeit a reality we only see on a movie screen. And we see on **every** movie screen when it's a musician biopic. I mean, this is Elton John we're talking about, if there was ever a moment to reject the mundane and fully embrace the over-the-top flamboyant fantasy it was here. But _Rocketman_ just kind of Awkward Christian Camp Side Hugs the over-the-top flamboyant fantasy.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Glass 2019 Altadefinizione01

Glass-reddit-SDDS-Sonics-DDP-Watch Glass HD stream-times-2019-WEB-DL-MPEG-1-HD Full Movie.jpg

Glass 2019 Altadefinizione01

Filmteam

Coordination art Department : Filipe Neveu

Stunt coordinator : Romance Pope

Script layout :Saliah Paulet

Pictures : Marcy Swoosie
Co-Produzent : Lepage Vidal

Executive producer : Mylène Mohsin

Director of supervisory art : Trevin Mado

Produce : Keyla Pineda

Manufacturer : Yaïr Amaris

Actress : Jawed Blériot

In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.

6.6
4104

Movie Title	Glass 2019 Online
Time	183 minutes
Release	2019-01-16
Quality	FLA 720p HDRip
Categories	Thriller, Drama, Science Fiction
speech	English, Español
castname	Long E. Cherrie, Haqeem Z. Maryl, Yasna C. Chetna

Glass 2019 Altadefinizione01

Film kurz

Spent : $971,692,558

Revenue : $260,995,099

Categorie : Horror - Biographie , Lustig - Terrorismus , Blasphemie - Einfach , Hingabe - Trennung

Production Country : Mazedonien

Production : Telecinco

It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.

Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.

Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.

Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.

As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.

The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.

One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.

The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.

3.5 stars out of 5
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

You all know how anxious I was about this movie. I’m a huge fan of Shyamalan, and I know how hard it is to try to defend a director who made The Last Airbender. Every time I offer undeniable proof of masterful filmmaking, I get overwhelmed with questions about his absurd twists and his cringe-worthy dialogues. Shyamalan is a bit like Kevin, he also has different personalities, depending on the films he releases. On one side, he is a phenomenal filmmaker who knows his craft better than anyone and who once was nicknamed “the second Spielberg”. A screenwriter who delivers mind-blowing plot twists and extremely captivating dialogue scenes. On the other side, there’s a guy who ruins entire movies with frustrating twists that no one asked for and with arguably horrible decisions regarding his characters. So, to each side does Shyamalan tends to in Glass?

The first act is seamless. I love how David is introduced 19 years later and how his life is now. Kevin continues to abduct impure teenage girls, and after a few minutes in, we get the first confrontation between our hero and villain. I wasn't expecting an action-heavy film, and I'm glad it isn't because it would ruin the tone of the other movies. This was never intended to be a massive finale with epic CGI fights, like a Marvel or DC installment. If you're one of those people who expected Glass to be an Infinity War-ish film, I don't even know why are you reading this because you have no idea what this trilogy is about.

Sarah Paulson portrays Dr. Ellie Staple, and she is responsible for treating people who think they are superheroes. So, the second act revolves around a fascinatingly engaging yet overlong narrative which leaves the main characters (and the audience) doubting if everything they did was a product of their supposedly damaged minds. There is so much to love and hate throughout this act. The interactions between these characters are as captivating as they could be, and I couldn't take my eyes off screen. Then, there's James McAvoy ... I have no words to describe how astonishing his performance is. Portraying one character is hard. Portraying almost 20 characters is just outrageous! However, McAvoy nails each personality delivering himself to his roles in such an unbelievable way. Sometimes I chuckled because I couldn't understand how it was possible an actor being able to do what he did, several times, in one-take sequences.

Bruce Willis and Samuel L. Jackson return to portray David and Mr. Glass, respectively. The former is solid, and the respect he has for his character is evident. However, David is sort of left aside in this movie, but I'll get there. SLJ, even with less screentime than the other two, has more to do, regarding moving the plot forward. He gives an extraordinary performance, as expected from such a capable actor. During this act, these four characters offer a lot of memorable scenes, but the narrative is filled with exposition, and it overextends its stay. Shyamalan wanted to show everyone that he knows what he is writing about and a lot of times he used his characters to explicitly say, well, everything the audience needed to know, without any need to.

The third act is where everyone is going to either love or hate the film. In this genre, we all know that the "middle ground" is non-existent. Either you're part of the group who loves it and you will defend it at all costs, or you're part of the group who hates everything about it just due to its final moments. There is more than one Shyamalan twist during this final act. Truth is, I left a bit disappointed. It doesn't matter what your expectations are, it doesn't matter your preferences, at least one of the twists is always going to upset you. What disappoints me the most is that I don't really love any of them. Unbreakable has a final plot twist that completely changes its whole story, and it comes out of nowhere. It's literally mind-blowing! Split has the 17-year twist of it being part of the former's universe, which made several audiences in festivals give it a stand ovation. Glass has ... a bunch of twists. Period. There are no OH-MY-GOD-like reactions. There are no jaws dropped.

Instead, we are left with an arguably questionable decision. A couple of the twists are fine. I would even call them "good twists". However, the one that changes everything feels incredibly forced and most of all, it falls short for such a highly-anticipated trilogy's last installment. I can't help but wonder "is this really the best path you could have chosen Shyamalan? Of all the endings you imagined, this is the one you think is the best to finish a 19-year-in-the-making superhero trilogy?" Regarding the screenplay and the characters, I have the issue above and one associated with David Dunn. If Split didn't have that final twist, it would be a good thriller. Way above average, but not astounding. The link to Unbreakable's universe is what makes it a standout movie of 2017. So, I was expecting a lot of David, and I only got a small fraction of him.

I'll put this way:
- if you're expecting an Unbreakable sequel, you'll probably leave disappointed;
- if you're expecting Split 2, you'll love McAvoy's take on almost 20 distinct personalities, and that alone is worth the price of admission;
- if you're expecting a formulaic superhero epic finale, filled with massive CGI fights and tremendous visual effects, all wrapped around colossal set pieces, then you are not worthy of even watching Glass, because this means you don't have a clue what this trilogy is about.

This is NOT a conventional comic-book trilogy. If you don't know this by now and you're still waiting for that last climax, you're only setting yourself up for disappointment, when no one asked you to anticipate such unrealistic stuff. Never criticize a film for not selling you something it was never even marketed to do (it's like expecting a horror movie to have a romantic happy ending). That said, I left disappointed with its conclusion, but there's still so much to love and praise. Seeing how David accepted who he was and the life journey he took, experiencing Kevin's pain and how each personality was born, understanding what Elijah's purpose is and being blown away by his mastermind plans ... These are characters so well-developed and so well-established that I can forgive some missteps here and there.

Before diving into the technical aspects, Anya Taylor-Joy, Spencer Treat Clark (Joseph Dunn) and Charlayne Woodard (Elijah's mother) deserve appreciation for their performances, even if they don't have that much impact in the overall story. Anya has more to do as Casey since her character's bond with Kevin is an explored subplot. Regarding the last two, they only serve as exposition devices which connects to one of my problems with the second act, by not helping the plot move forward in the smoothest way possible.

Concerning M. Night Shyamalan filmmaking skills, I barely have anything negative to say. The only minor issue I have is the excessive use of POV in the action scenes (a camera attached to the actor's body which provides a close-up of his face while fighting). Nevertheless, this film is yet another proof of how skillful this guy is behind the camera. There are so many memorable moments where the technique at display is worthy of awards. We will have to wait a few months to find such marvelous cinematography as in this film. Shyamalan and Mike Gioulakis (DP, director of photography) use our characters' respective colors (yellow for Kevin, green for David and purple for Mr. Glass) as the background palette of each scene in glorious fashion. The gradual change in color tells the audience so much about what our characters are going through, elevating one of the best dialogue sequences in the entire movie (the pink room).

The editing is sublime, and I love how Shyamalan uses close-ups to show how remarkable his cast is. McAvoy's performance is one of the best this year is going to give us, but part of it is even better due to the camera work. The unfocused background stunt work in a character's close-up is the art of filmmaking at his very best, and Shyamalan knows how to film it beautifully. The score is not as memorable as Unbreakable's, but the sound design is on point. Even with a low budget (compared to the other superhero movies), Shyamalan is able to produce a technical showdown of all his attributes as a sensational filmmaker. And this, my fellow readers, I will defend until the end of his career.

All in all, Glass doesn't live up to my extremely high expectations, but it does more than enough for me to enjoy it. I can't help but feel disappointed with the way everything ends and the path that Shyamalan chose, but there's still so much to love. James McAvoy offers you a performance worthy of any price of admission. Watching him portray over 15 characters is something you won't experience maybe ever again. Going through the layers of suspense, disbelief and mystery that the screenplay is structured by is itself an adventure filled with twists and turns which grabbed my attention until the very end.

An almost flawless first act delves into an overextended second act where the story lacks consistency and even logic, at times. However, the performances and the main thread of the film keeps everyone enthralled until the polarizing third and final act, where the significant plot twists occur. How can a movie be so fascinating and frustrating at the same time? Shyamalan, ladies and gentlemen. This masterful filmmaker lends all his skills to the film, and technically it’s close to perfection. Disappointing? Yes. Frustrating? Yes. Does it ruin the franchise? No, not even close. This isn’t The Matrix Revolutions, but it’s not Return of the King, as well. It’s a good ending to a superhero trilogy that might not be the best of all-time, but it’s up there, and it’s definitely unique, imaginative and the closest to what our real world would be like if superheroes were a real thing.

If you’re a comic-book fan, this trilogy is mandatory. If you love Marvel or DC, don’t you dare use the word “grounded” without watching this saga first. Shyamalan, see you around!

Rating: B+
It's a very good movie

Dark Phoenix 2019 Altadefinizione01

Dark Phoenix-pdf-FLV-Bluray-Rent Dark Phoenix Online Movie HD-movie-2019-TVrip-WMV-Google Play.jpg

Dark Phoenix 2019 Altadefinizione01

Filmteam

Coordination art Department : Royce Berna

Stunt coordinator : Watros Latayah

Script layout : Gene Greisch

Pictures : Luigi Mitzy
Co-Produzent : Morlay Areli

Executive producer : Travers Addyson

Director of supervisory art : Tolley Ebbonie

Produce : Franz Sibyla

Manufacturer : Marèse Frazier

Actress : Lauby Irwin

The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.

6.1
2343

Movie Title	Dark Phoenix 2019 Online
Moment	174 minutes
Release	2019-06-05
Kuality	M4V 720p WEB-DL
Categories	Science Fiction, Action, Adventure
speech	English
castname	Csaba U. Oghosa, Caresse T. Tiara, Hack H. Thérèse

Dark Phoenix 2019 Altadefinizione01

Film kurz

Spent : $154,474,279

Income : $288,918,284

Group : Abstrakt - Vertrauen , Ethik - Tyranny , Marketing - nostalgisch , Menschlichkeit - Tapferkeit

Production Country : Weißrussland

Production : Ludus Entertainment

It’s just a shame that 'X-Men' was never able to live up to its potential in this form. Drawn of clichés, a tired script and a tired cast, it’s a big wet flop of a film where it looked like the cast were just there to collect their cheques. It’s probably something to wait for a digital release and watch on a rainy Sunday afternoon where you can fall asleep during the exhausting middle section and wake up at the mildly less-exhausting end.

If anyone needs me, I’ll be looking for Cyclops, hot choccie, blanket and hug.
- Brent Davidson

Read Brent's full article...
https://www.maketheswitch.com.au/article/review-x-men-dark-phoenix-untapped-potential
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Honestly, I'm going straight to the point, and I'm going to try not to waste anyone's time since that's precisely what Dark Phoenix did. Clearly, no one in the production team cared about this movie. Now, after watching the film, it's pretty easy to understand the reasons behind the constant delays, and the poor marketing campaign (I barely saw anything remotely publicizing this movie). It's not a complete disaster, it's not an absolute mess, but the third act is such a stab into the fans' hearts. Literally, one of the most abrupt endings of the last few years. It really feels like a producer entered the writers' room and said something along the lines of "let's just hurry this up, Marvel Cinematic Universe is right around the corner, nothing of what we do here matters."

I'm not going to lie, it's actually true. No matter how amazing or horrible this film ended up to be, it wouldn't really matter, which is probably the most negative aspect of this Disney-Fox merger. Days Of Future Past is arguably one of the better X-Men installments, but Apocalypse and Dark Phoenix feel such a waste of time because they never really explore what the time-travel event really changed, and now time's up, a complete reboot is coming. The first act of this movie is genuinely remarkable. I felt invested in both the story and characters, I was deeply captivated by what they were doing, and Hans Zimmer's score elevates a specific sequence that on IMAX really shows off both the visual and audio's phenomenal quality.

Until midway through, it's a pretty well-written, well-performed, and exciting film (with occasional minor issues). However, after a risky yet convincing plot point, Simon Kinberg annihilates everything he was working on until then. From this moment on, I can feel the famous merger being signed, and everyone working on this movie just giving up. The writing becomes atrocious, one of the most forgettable and nonsensical villains ever shows up (and I thought that comic-book adaptations were working past the cliche "bad guys"), characters like Quiksilver are barely in the film (why set up his relationship with his father if they never approach that subplot again?), and the ending lasts around three minutes. Three. In this amount of time, they do the equivalent of the last hour of Avengers: Endgame. Now, try to imagine that epic hour of climactic battles crushed into a couple of minutes...

The cast truly tries. Sophie Turner carries this movie with such an emotionally powerful performance that I almost feel that she alone deserved a positive review. James McAvoy (Professor Charles Xavier) continues his streak of gripping displays (if he doesn't get a freaking Oscar in the next years, I'll explode), Michael Fassbender is splendid as Magneto, and Jennifer Lawrence (Mystique) doesn't do much. Nicholas Hoult (Beast) is a pleasant surprise, but Jessica Chastain (Smith) is the only one at fault here. I never felt any interest from the actress in getting into a superhero film, and honestly, it shows. She's definitely the one that couldn't care less about what comes out of this, so she just offers a one-dimensional performance for a pretty lousy villain.

The screenplay is filled with characters making uncharacteristic decisions (they feel unearned), and exposition scenes that don't really do justice to the compelling backstories. Nevertheless, I always feel the need to come back to the ending. I rather have a slow start, but a strong finish than the other way around. Dark Phoenix delivers a fast-paced, entertaining, and captivating first act, but slowly starts to degrade until it culminates with one of the saga's worst third acts. Sure, the action is great, and it's quite well-filmed actually, but it all ends so quickly that you don't have enough time even to try to enjoy it. If it wasn't for Hans Zimmer's score, which completely nailed me to the screen, my brain would have shut itself down before the wrap-up.

It's a shame that such a beloved franchise like the X-Men has to end like this. Simon Kinberg, knowing that the merger was going to happen, should have changed the last half, and risk a lot more, to be honest. If the movie really didn't matter, then they should have tried to do something that was never done before, and go all-out. If it fails, it fails, but at least it would have been remembered as a courageous and powerful film. This way, not only it's a disappointing culmination to a 20-year saga, but it's forgettable. It's not even horrible enough for people to remember how bad it was, it's just ... Meh. If they didn't care, how can they ask the audience to do it for them?

All in all, Dark Phoenix ends up being what everyone feared it would be: a movie that didn't matter, at all. One that didn't even try to pay homage to an extraordinary saga that notably influenced the comic-book genre. The worst of all is that everyone can imagine how great it could have been since the cast is perfect (Sophie Turner shines), Hans Zimmer's score is sumptuous, and the action is riveting. The worst feeling that a fan can have is that disappointment with how the film turned out to be mixed with the frustration due to how well a fan can imagine how amazing it could have been. However, a flawed narrative with a terrible villain and questionable character decisions ruins those dreams. With one of the most abrupt endings of the last years, X-Men reaches its end as an isolated franchise, and it now rests its hopes on Kevin Feige and Marvel co. that the MCU will do the mutants justice.

PS: as you know, I try to avoid trailers as much as I can. After watching Dark Phoenix's ones, I can only advise you to not watch a single one. Not even the first one. Especially that first one! I can't understand how someone approves trailers so spoilery as these ones. Unbelievable.

Rating: C
I don't think this was the disaster that the critics make it out to be, but it is one of the lesser Fox X-Men movies. Both the opening scene where the X-Men rescue astronauts stranded in space and the ending where Magneto and the X-Men fight aliens on a train were well done action scenes. It's the middle that sags a bit. The film lacks energy and emotional impact. Simon Kinberg wrote and directed this second go around of the Phoenix Saga as a way to atone for writing the mediocre The Last Stand. But this film does not really improve on that film at all. I am eager to see Kevin Feige cover the full Phoenix Saga properly in a trilogy. You cannot cram the Phoenix story into one movie. We've barely gotten to know these young versions of these characters from Apocalypse. The worst performance is from Jennifer Lawrence, whose Raven is completely smug and obnoxious towards Prof. X. I was happy when she exited the movie. You can tell she doesn't care about this franchise at all. Beast acts completely out of character and joins Magneto to kill Jean--something he would never do. Quicksilver exits the movie quickly after being injured by Jean and only returns at the very end. His relationship with his father, Magneto, is never addressed. Scott Summers takes orders from Mystique (ugh!) and never shows any leadership abilities. The villains are generic evil aliens who want to use the Phoenix Force to take over the world. They are just bargain basement Skrulls. Then there are the usual continuity errors with other X-Men movies. Apocalypse showed that Phoenix was a part of Jean, just like The Last Stand did. Now we are told that the Phoenix lives outside of Jean and comes from outer space. Also, when you see how things end for Prof. X and Jean in this movie, it's unlikely that either of them would appear at the end of Days of Future Past to greet Logan at the school. Overall, disappointing and the perfect time for Disney to reboot this property.
It's a really good movie with superb graphics and storyline.
***A fuller rendition of the Jean Grey Plot of “X-Men 3” with Sophie Turner***

This is another take on the Jean Grey story of “X-Men: The Last Stand” (2006). That movie was good up until the last act with the conventional battle between the good and bad mutants at Alcatraz Island, which diverged from the more interesting core story concerning Jean. “Dark Phoenix” (2019) has a similar problem in that Jean’s inner conflict between good and evil is the most interesting element, along with the other mutants being troubled by her transformation and trying to figure out how to handle it.

Unfortunately, as with “X-Men 3,” the filmmakers insist on having everything come down to a big battle sequence that’s overlong and predictable, although it’s better and more moving here. A good example of predictableness is when Magneto (Michael Fassbender) utilizes many rifles to shoot Vuk (Jessica Chastain); you know very well that the bullets are going to be totally useless. The ending’s not bad, just tedious and perfunctory, similar to the big battle sequence in “Avengers: Endgame,” albeit less dull. The original climax of “Dark Phoenix” took place in space and had too many similarities to “Captain Marvel,” which beat “Dark Phoenix” to the theaters. So the creators had to reshoot the ending as a battle sequence involving a train, but it didn’t feel tacked on or inorganic, although the Juk/aliens subplot did.

I prefer Sophie Turner to Famke Janssen in the titular role. She’s just an all-around pleasure to behold, although acting-wise she’s not yet up to the caliber of Fassbender, James McAvoy (Xavier) or Jennifer Lawrence (Raven), not even close. In any case, I found the Phoenix story fascinating just as I did with “The Last Stand,” but here it’s more fleshed out, which makes it better in some ways. I just wish the creators would have the gonads to do something fresh rather than strap the conventional “big battle” ending on what could have been a great movie.

If you liked “First Class” (2011), “Days of Future Past” (2014) and “Apocalypse” (2016), “Dark Phoenix” is cut from the same cloth in all-around quality. I prefer “Days” and “Apocalypse,” but “Dark Phoenix” ain’t no slouch, despite what detractors might say; and it’s superior to “First Class.”

The film runs 1 hour, 53 minutes.

GRADE: B+
I don't know if _Dark Phoenix_ is the **worst** entry in the X-Men franchise. I feel like I remember being much more angry walking out of _Last Stand_ than this one. _Dark Phoenix_ didn't really make me "angry"... It didn't make me feel anything I guess. But there was just **nothing** I liked about this. Like, _Apocalypse_ was a bad movie, absolutely, but I really enjoyed that bit in the middle where the young X-Men got to the shopping centre together. That elevated it for me, even if it didn't stop it being a bad movie. _Dark Phoenix_ has no such moment. Nothing. I. Liked.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Not as bad as I feared and the plot in and of itself was fine, as were the performances (outside of accents going in and out depending on the scene), even Sophie Turner was okay, the visual effects were alright and the direction serviceable. However, the biggest problem was the dialogue which ranged from predictable (to the point I could predict lines from time to time) to absolutely atrocious.

Not sure where this ranks amongst the "franchise", though initially I'd say it is above Apocalypse, a movie I didn't care much for but a far cry from First Class and Days of Future Past. **2.75/5**

Up and Away 2018 Altadefinizione01

Up and Away-youtube-DVD-HDTV-Full Movie-soundtrack-2018-TVrip-AVCHD-Full Movie.jpg

Up and Away 2018 Altadefinizione01

Filmteam

Coordination art Department : Roselyn Butler

Stunt coordinator : Leya Violeta

Script layout :Leach Fabien

Pictures : Masood Haynes
Co-Produzent : Pete Orland

Executive producer : Damion Beri

Director of supervisory art : Aditya Viha

Produce : Zaiyan Woods

Manufacturer : Émile Sunni

Actress : Tasnime Lura

Hodja is a dreamer. He wants to experience the world, but his father insists he stays home and takes over the family's tailor shop. Fortunately, Hodja meets the old rug merchant El Faza, who gives him a flying carpet. In exchange he has to bring the old man's little granddaughter, Diamond, back to Pjort. El Faza can’t travel to the Sultan city himself, as the mighty ruler has imposed a death sentence on El Faza, on the grounds that he has stolen the Sultan's carpet. However, city life isn't quite what Hodja expected, and he only survives because of Emerald, a poor but street smart girl, who teaches him how to manage in the big world. But when Hodja loses his carpet to the power-hungry sultan, his luck seems to run out. Will he complete his mission, find El Faza's granddaughter and return safely back to Pjort?

7.3
3

Movie Title	Up and Away 2018 Online
Moment	188 minutes
Release	2018-02-08
Quality	MPEG-2 1080p DVDScr
Category	Animation, Family, Comedy
speech	Dansk
castname	Avenall I. Stephen, Tati K. Maia, Lital E. Shadiya

Up and Away 2018 Altadefinizione01

Film kurz

Spent : $513,098,942

Revenue : $535,293,005

Categorie : Hingabe - Speech , Heuchelei - Surrealistisch , Verbotene Liebe - Du Son , Ziel - Abtreibung

Production Country : Mazedonien

Production : Intel Films