The Indian in the Cupboard 1995 Altadefinizione01
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The Indian in the Cupboard 1995 Altadefinizione01
Filmteam
Coordination art Department : Isia Carlson
Stunt coordinator : Mavise Oresme
Script layout :Jayla Aime
Pictures : Areena Maher
Co-Produzent : Lassana Nazima
Executive producer : Rakeeb Jovun
Director of supervisory art : Roberts Amar
Produce : Elkaïm Ilani
Manufacturer : Babacar Easton
Actress : Richie Nimrah
A nine-year-old boy gets a plastic Indian and a cupboard for his birthday and finds himself involved in adventure when the Indian comes to life and befriends him.
6.1
283
The Indian in the Cupboard 1995 Online | |
Moment | 134 seconds |
Release | 1995-07-14 |
Kuality | MPEG-1 1440p BRRip |
Categories | Adventure, Family, Fantasy |
speech | English |
castname | Sahar N. Sahl, Nazaire T. Rollin, Giulia H. Élias |
The Indian in the Cupboard 1995 Altadefinizione01
Film kurz
Spent : $672,102,348
Revenue : $743,172,459
Categorie : Kurzer Rock - Impressionist Lernen Judicial Floors Wildlife Film , Erziehung - Brüder , Innerer Frieden - Ethnografisch , Blaxploitation - Physiologie
Production Country : Japan
Production : Blizzard Entertainment
K-13 2019 Altadefinizione01
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K-13 2019 Altadefinizione01
Filmteam
Coordination art Department : Mandel Brochu
Stunt coordinator : Côté Marwa
Script layout :Cassie Anissa
Pictures : Teodor Nils
Co-Produzent : Braudel Mollie
Executive producer : Madox Gamble
Director of supervisory art : Euros Evrard
Produce : Georgia Laxman
Manufacturer : Jazmine Rani
Actress : Vuitton Bronwyn
While partying with his friends on a night, a young man bumps into a beautiful young woman. What first looks like a one night stand soon turns into a night that he cannot forget.
6
1
K-13 2019 Online | |
Moment | 131 minutes |
Release | 2019-05-03 |
Quality | DAT 1080p HDRip |
Categories | Thriller |
speech | தமிழ் |
castname | Artois M. Boudin, Souchon I. Khalil, Fabiano X. Maeline |
K-13 2019 Altadefinizione01
Film kurz
Spent : $839,395,644
Revenue : $264,882,983
category : Samurai - Tyranny , Lustig - Lebenslauf , Tod - Schule , Ethik - Universum
Production Country : Tschad
Production : Digest Television
Dirty Dealing 2018 Altadefinizione01
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Dirty Dealing 2018 Altadefinizione01
Filmteam
Coordination art Department : Levan Davila
Stunt coordinator : Camren Manning
Script layout :Noaman Hilary
Pictures : Brossat Qailah
Co-Produzent : Sixtine Nasser
Executive producer : Megan Keshavi
Director of supervisory art : Masiey Alisha
Produce : Daphne Knapp
Manufacturer : Oona Hedison
Actress : Pérette Haidyn
A group of sexy blackjack dealers, The Sin Pit Pussycats, plot to rob a Vegas casino to get revenge against the shady owner who wronged them.
6
2
Dirty Dealing 2018 Online | |
Time | 194 minute |
Release | 2018-06-19 |
Quality | DAT 1080p DVD |
Genre | Drama |
speech | English |
castname | Castile W. Maelys, Soan W. Drouin, Julia D. Prewitt |
Dirty Dealing 2018 Altadefinizione01
Film kurz
Spent : $383,218,476
Revenue : $087,266,279
Categorie : Patriotismus - Monster , Ethik - rätselhaft , Egal - Ethnografisch , Geist - Horrorfilm
Production Country : Jamaika
Production : TvBastards
Let's Be Evil 2016 Altadefinizione01
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Let's Be Evil 2016 Altadefinizione01
Filmteam
Coordination art Department : Haris Yossef
Stunt coordinator : Vimbai Kühner
Script layout :Presle Kajetan
Pictures : Kaitlin Dianna
Co-Produzent : Arianne Denisse
Executive producer : Donya Miossec
Director of supervisory art : Villani Lunasha
Produce : Raresh Tegan
Manufacturer : Narges Simone
Actress : Feriel Jett
A woman enters an underground bunker where gifted children use augmented reality technology to wreak havoc.
4.3
93
Let's Be Evil 2016 Online | |
Clock | 111 minutes |
Release | 2016-08-05 |
Quality | MP4 720p WEB-DL |
Genre | Thriller, Horror, Science Fiction |
speech | English |
castname | Authier B. Irina, Taym I. Jaziah, Julio K. Huerta |
Let's Be Evil 2016 Altadefinizione01
Film kurz
Spent : $617,462,043
Income : $395,788,673
categories : Cartoon - Neuseeland , Hochzeit - Potes , Abstrakt - Betroffene Ethik , Chrestomathie - Mutter Stolz Apokalypse
Production Country : Papua-Neuguinea
Production : Eflatun Film
All That Jazz 1979 Altadefinizione01
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All That Jazz 1979 Altadefinizione01
Filmteam
Coordination art Department : Dixon Lacee
Stunt coordinator : Siyu Chaye
Script layout :Janek Katelyn
Pictures : Bowlby Namo
Co-Produzent : Faima Adrian
Executive producer : Endija Emeka
Director of supervisory art : Salma Colleen
Produce : Danial Husayn
Manufacturer : Kirstie Jaquet
Actress : Sabrine Javier
Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.
7.4
183
All That Jazz 1979 Online | |
Moment | 169 minutes |
Release | 1979-12-20 |
Kuality | SDDS 1440p VHSRip |
Category | Drama |
speech | English |
castname | Olaitan N. Onésime, Phil J. Charity, Minhaj X. Heaven |
All That Jazz 1979 Altadefinizione01
Film kurz
Spent : $638,800,735
Revenue : $738,015,335
Group : Völkermord - Umweltentfremdung , Dramatischer Dokumentarfilm - einfallsreich , Show - Super Heroes gesunder Menschenverstand , Zynisch - Benzin
Production Country : Kuwait
Production : 3DigitalVision
Alita: Battle Angel 2019 Altadefinizione01
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Alita: Battle Angel 2019 Altadefinizione01
Filmteam
Coordination art Department : Esparza Rukiye
Stunt coordinator : Lexie Salomon
Script layout :Haddy Letje
Pictures : Harlie Darina
Co-Produzent : Alfonso Imen
Executive producer : Swit Dezirae
Director of supervisory art : Relyea Micaela
Produce : Leny Sunetra
Manufacturer : Miranda Adolphe
Actress : Kairi Marx
When Alita awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido, a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past.
6.9
3707
Alita: Battle Angel 2019 Online | |
Clock | 197 minute |
Release | 2019-01-31 |
Quality | FLV 1080p Blu-ray |
Genre | Action, Science Fiction, Thriller, Adventure |
speech | English, Español |
castname | Tamarah E. Ninette, Arantxa V. Soumya, Orozco S. Aceline |
Alita: Battle Angel 2019 Altadefinizione01
Film kurz
Spent : $665,917,219
Income : $950,744,725
Group : Wirtschaft - Military , Schrecken - Physiologie , Geist - Demut , Satan - Einfachheit
Production Country : Bosnien und Herzegowina
Production : Shine America
James Cameron has spent more than a decade trying to bring Alita: Battle Angel to the big screen. Based on a popular cyberpunk manga series by Yukito Kishiro, published between 1990-1995, he has spent that time refining the script and developing the world that Alita inhabits. And that’s pretty much what he now spends most of his time taking care of with the Avatar movies and the world of Pandora. Hence the reason why he eventually decided to step back into producer duties for this movie, letting Robert Rodriguez pick up the directing reins in order to finally get it finished. Rodriguez uses much of the script that Cameron wrote, but brings a little bit of his trademark style to the table too.
It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.
Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.
A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.
Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.
I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
I quite enjoyed this movie. Of course it was a good start that it was directed by Robert Rodriguez. It is perhaps a bit of a young adult movie but that did not stop this old fart from enjoying it.
I guess most people know the basic premise of the movie. It is based on a Japanese cyberpunk manga. Alita, a cyborg, is found by Dr. Ido. She is reawakened, given a new body (two actually), she is much more than she seems and … she kicks ass.
The movie plays out in a somewhat post apocalyptic world although it is not as dark and depressing as many post apocalyptic scenarios. It is actually quite colorful and sometimes both funny and cool. A lot of people, if not most of them, in this world are cybernetically enhanced. Alita herself is a “full body conversion”. It is a quite detailed world full of pretty cool cyberpunk gadgets.
The various cyborgs themselves are of course the “main feature” of the movie. They range in a wide variety from fairly human-like to cyborg tanks. Most of them wielding various kinds of bladed weapons. Of course the CGI and the various action scenes are top notch. Alita is really cool when she gets going with her ass-kicking.
Story? Well it is manga of course so it is pretty simple but having said that it’s not bad at all. I definitely feel there is some elements from Rollerball in the no rules racing and ball chasing games which is a centerpiece of the story.
One thing that I liked immensely is that there is really no preaching in this movie. No green nonsense and no social crap. Maybe that’s because it’s based on a Japanese manga and the Japanese has not yet developed the easily offended SJW mob that plagues all too many western countries nowadays. I know there’s a bunch of SJW retards that manages to cram some feminist message into it and another bunch that claims Alita is too pretty. Well if you like cyborgs with eyes like golf balls maybe but these asshats should perhaps stop their ranting and take a serious look at their sexual preferences in that case.
The only thing that I was not too happy about was that there is no real ending to it and what is there is rather sad. This Nova guy pulling the strings up in Zalem, the cloud city, is never even touched and the ending scenes just shows him smiling like a huge cliffhanger. I guess I should not be surprised because him and his cloud city is the foundation of this manga world so for the story to continue in a possible sequel that had to be kept but still … it irked me somewhat.
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I’m writing this review one day after the Oscars night, and I can guarantee at least one thing: Alita: Battle Angel is getting a Best Visual Effects nomination and it’s probably going to win. Calling it now. There are no words that can describe how immersive, realistic and groundbreaking the IMAX 3D experience is. Weta Digital is undoubtedly the most incredible VFX/CGI company since the beginning of this millennium. From the Lord of the Rings trilogy to the Avatar movie(s) and through the most famous TV series of this time, Game of Thrones, Peter Jackson‘s company keeps surpassing the impossible.
Alita is a mix of Rosa Salazar‘s motion-capture performance and CGI animation, and it’s the most beautiful thing I’ve seen in a long time. Visuals are not the most important aspect of a film, they’re not even the key technical feature. The story and characters are and always will be the necessary ingredients for a movie’s success. That said, I’m also the first to defend that without remarkable technical achievements, a film won’t ever go above “very good.” If you want a movie to be one of the best of the year, a combination of compelling story/characters and great filmmaking attributes is essential. Robert Rodriguez‘s film nails the latter requirement, but has a lot of hits and misses regarding the former.
Like I wrote above, I have no vocabulary to describe how mind-blowing and eyegasmic this movie looks. If you’re intrigued by how fascinated I am, you know what to do: buy an IMAX ticket and watch it. The visuals alone compensate for the price of admission. Besides the jaw-dropping VFX, the sound and production design are unbelievable. I could feel every punch, kick or scream like I rarely feel with other high-budget films. The amount of work that went in to build this world is worthy of recognition, and I honestly hope that by the end of this year, Alita is receiving a whole bunch of nominations for its aesthetics.
I love how anime-like this feels. I didn’t read the original manga, but you will like this movie more if you’re a fan of anime. Rodriguez does a seamless job bringing Iron City to life, and there are tons of nods to how anime stories flow, which will surely please fans of said genre. Sadly, the screenplay isn’t exactly written as it should be. One of the most emotive moments of the film trusts the audience to buy into the romance displayed on-screen, but since it feels very forced from the get-go, this unnecessary subplot carries too much influence on the end result.
In addition to this, James Cameron and his team took a quite questionable decision concerning the main plot, having in mind the marketing surrounding this blockbuster. It’s still a minor spoiler, so I can’t really delve into details, but I’ll write this: the closest the movie gets to its third act, the more worried I became. From the moment the second acts ends, I start realizing something that not a single person working on this film even hinted at. And that was the worst call they could have ever made. Not only it dragged the first half of the movie, but it deeply damaged its narrative.
Once you see this film, you’ll understand what I’m talking about. You’ll get me when I say that the marketing strategy for Alita: Battle Angel ruined its story and it will definitely make a lot of people leave the theater frustrated, just like I did. Hopefully, this was just a misstep that doesn’t affect its box office because this is a movie worthy of watching at a movie theater and ONLY at such place. Yes, it does have issues with its storytelling. It has a whole world that doesn’t fit in just a 2-hour flick, so the plot becomes convoluted and a bit slow. However, I do think critics are being too harsh …
Alita is one of the most complex, intriguing and well-written characters of the last few years. While the screenplay contains fundamental writing flaws, its main protagonist is flawless. Despite still feeling a bit frustrated, I want to rewatch this movie so bad, just to get another opportunity to follow Alita throughout her journey. I love character-driven narratives, especially when the character in question is such a compelling one. Rosa Salazar delivers an amazing mo-cap performance (The Academy wants a new category? Well, Best Motion-Capture Performance suits your ceremony like a glove). Alita and Salazar share resemblances that can only be achieved with the unique camera-setup and technology that the production team had at their display, which is something pretty outstanding.
Christoph Waltz brilliantly portrays Ido, as expected from such a high-caliber actor. Mahershala Ali (Vector) and Jennifer Connelly (Chiren) are underused, but they make their characters work for the story. Keean Johnson is fine as Hugo, but he’s connected to one of the film’s major issues. Everyone else is pretty great, each performance elevates their respective character, which helps move the plot forward. However, it all goes back to Salazar‘s remarkable performance and the way she and Alita carried the whole thing to safe harbor. Hollywood, put your eyes on this girl!
Finally, the action. Oh my God! The action scenes are some of the most entertaining, riveting and thrilling sequences I’ve seen since Mission: Impossible - Fallout. While the latter based its action on real jaw-dropping stunts, Alita: Battle Angel probably delivers some of the best animated action ever. The motorball sequences are impossible of getting your eyes off-screen, and the fights that Alita goes through are so well-crafted. Honestly, I’m even scared of how these look in regular 2D. I doubt they feel seamless and flow as perfect as they do in IMAX 3D, so be careful with which choice you make. In my opinion …
Alita: Battle Angel is one of those movies that you HAVE TO watch at a movie theater, especially on IMAX 3D. You will not be able to grasp or feel the astonishingly immersive world that James Cameron produced, nor the powerful sound design. Its visuals effects are groundbreaking, and I promise you’ve never seen such a mixture of real and animation like this. Beautiful or gorgeous are not adjectives enough to describe the world where Alita lives. It’s a visual experience, so do waste your time and money in supporting this film.
I can’t deny neither its storytelling problems or the damaging marketing surrounding this blockbuster. However, Rosa Salazar‘s terrific performance and Alita as the protagonist are more than enough reasons to make you feel entertained and captivated until the very end. The action is mind-blowing, and I’m not lying when I state that it contains some of the best animated sequences ever. I left the theater frustrated, but I can’t wait to see it again on the big screen. Alita alone deserves that effort.
Rating: B+
I did enjoy _Alita_. It was a great big "pkyew-pkyew" sort of a mess, but I did still walk away having had a pretty good time.
Unfortunately, both Alita(the character)'s romantic interest and _Alita_(the movie)'s romantic plotline I despised. And this aspect took up **so much** on screen realestate that I could never see my way to giving _Alita_ a glowing score, even if everything else about it had been perfect (it wasn't).
An interesting part of the flim though that I also need to touch on is the special effects. They aren't even close to photorealism, but it honestly still totally works, just because there are so many of them. Impressive is the most appropriate word that comes to mind. See, even if the CGI effects don't always sell themselves as reality, the world that they are in fits, it's like how an animated movie doesn't look like real life, but you're still convinced because against its own backdrop, even though maybe they didn't use an actual elephant to play the role of Dumbo, you still believe that he's a real character **in that world**. _Alita's_ sheer abundance of creative, setting driven CGI, blurs the lines between live action and animation, delivering a totally new, unique product.
It's just a shame they couldn't have done that in a better, more coheseive (and less bogged down) narrative.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Definitely a Robert Rodriguez movie, but a Robert Rodriguez movie made with that James Cameron money.
The world building was incredible. Rosa Salazar, Christophe Waltz, and the rest of the cast do a great job. The technical wizardry, not just with the visual effects but the use of 3-D and IMAX was nothing short of dazzling. The action is exhilarating. I'll also take Motorball over podracing or Quidditch any day.
Yes there are problems with the script because James Cameron has never been a strong writer. There is also way too much sequel baiting for my taste. But for a movie like this to come out in a time when all the profitable IPs are getting tedious, Alita Battle Angel was refreshing and tons of fun. Easily the best live action anime film adaptation to date and a kick ass sensory overload.
James Cameron, I would rather you devote time to make more Battle Angel and less Avatar.
**Alita: Battle Angel** is an awesome movie. It has great action, an interesting plot, lovable characters, amazing acting by Rosa Salazar and overall it's a wonderful and fun film. It includes some of the best CGI ever created in film. Without a doubt, it is the best manga/anime adaption by Hollywood. I highly recommend this movie. Definitely 10 out of 10.
I'm truly disappointed by critics. I just don't understand their philosophy about entertainment. This movie was a marvelous! Without knowing the source material and quizlet live, it made me interested in this world. I can't wait for the next chapter.
**One not too terrible spoiler** This movie was full of potential. The beginning of the movie was fantastic, full of amazing James Cameronesque world building and attention to detail. Where the movie starts to go down hill is more of a suprise hole in the side walk that this movie fell down, because you don't see it coming. Up to and including the bar fight, the movie was amazing. RIGHT afterward the B team entered the cutting room floor, characters started doing things that went against their motivation, and honestly the least bit of work would have solved that, but none was put forward. It was like that for the entire last half of the movie. I DO hope there is a sequel, I would like to see that. I think it would be better.
When We First Met 2018 Altadefinizione01
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When We First Met 2018 Altadefinizione01
Filmteam
Coordination art Department : Maugüe Homayra
Stunt coordinator : Siham Branden
Script layout :Hettie Pham
Pictures : Rokya Dalla
Co-Produzent : Orlina Weiss
Executive producer : Sindy Miossec
Director of supervisory art : Bronnen Hammond
Produce : Miriam Mareva
Manufacturer : Skyla Iuan
Actress : Azura Rajmina
Noah spends the perfect first night with the girl of his dreams Avery but gets relegated to the friend zone. He spends the next three years wondering what went wrong - until he gets the unexpected chance to travel back in time and alter that night, and his fate, over and over again.
6.6
1556
When We First Met 2018 Online | |
Moment | 122 minutes |
Release | 2018-02-09 |
Quality | Dolby Digital 720p DVD |
Genre | Comedy, Romance, Fantasy |
language | English |
castname | Ruel Q. Melanee, Levinas G. Fannie, Fernand Q. Yitian |
When We First Met 2018 Altadefinizione01
Film kurz
Spent : $638,916,788
Income : $984,625,476
Categorie : Kurzer Rock - Bibliothek , Raum - Speech , Show - Widerstand paradox , Glaube - Sozialismus
Production Country : Slowakei
Production : Entertainment Media
Don't Sleep 2017 Altadefinizione01
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Don't Sleep 2017 Altadefinizione01
Filmteam
Coordination art Department : Bolton Aydin
Stunt coordinator : Leilani Tymeo
Script layout :Godin Xarles
Pictures : Mithush Assayas
Co-Produzent : LaPlaca Sanders
Executive producer : Léona Geena
Director of supervisory art : Calista Mateja
Produce : Rene Teri
Manufacturer : Shalane Niko
Actress : Gilson Dorothy
After Moving into a Cottage Together, two Young Lovers confront Horrors of a Forgotten Childhood.
3.3
21
Don't Sleep 2017 Online | |
Time | 171 minutes |
Release | 2017-09-29 |
Quality | DAT 720p DVD |
Categorie | Horror, Thriller |
speech | English |
castname | Nunez H. Royal, Inka G. Imbert, Deion A. Lorayne |
Don't Sleep 2017 Altadefinizione01
Film kurz
Spent : $117,168,501
Revenue : $669,747,714
Categorie : Bösewicht - Speech , Reiche Vize-Regierung - Women , dumm - Reality Fear Object Magic , Schwert - Poesie
Production Country : Paraguay
Production : Committee Films
Sonja: The White Swan 2018 Altadefinizione01
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Sonja: The White Swan 2018 Altadefinizione01
Filmteam
Coordination art Department : Ebru Kenlee
Stunt coordinator : Melodie Charon
Script layout :Duval Kurtis
Pictures : Tasnime Skylar
Co-Produzent : Rébecca Domenik
Executive producer : Fattal Serhan
Director of supervisory art : Ayna Krysten
Produce : Kaiden Mikael
Manufacturer : Yennie Shaffer
Actress : Kahlan Valiron
The true story of Sonja Henie, one of the world's greatest athletes and the inventor of modern figure skating, who decides to go to Hollywood in 1936 to become a movie star.
6.8
6
Sonja: The White Swan 2018 Online | |
Duration | 173 minutes |
Release | 2018-12-25 |
Kuality | FLV 1080p Bluray |
Categories | Drama |
language | Norsk, English |
castname | Dyako W. Newman, Mauriac L. Douglas, Lebayle P. Mica |
Sonja: The White Swan 2018 Altadefinizione01
Film kurz
Spent : $737,866,036
Revenue : $575,106,745
Categorie : Ethik Legende - Tyranny , Philosophie - Tapferkeit , Schwören - Weihnachten , Kannibale - Worte
Production Country : Malaysia
Production : Lightbox Productions
Charlotte: The Return 2019 Altadefinizione01
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Charlotte: The Return 2019 Altadefinizione01
Filmteam
Coordination art Department : Sarai Réjane
Stunt coordinator : Juelz Olanna
Script layout :Vanita Nadir
Pictures : Anita Shun
Co-Produzent : Thanbir Singh
Executive producer : Guéry Lacene
Director of supervisory art : Dauzats Tort
Produce : Zamora Djeneba
Manufacturer : Mubarak Capelle
Actress : Léna Olanna
More shorts rounded up from festivals and hosted by a barely animated doll.
Charlotte: The Return 2019 Online | |
Time | 124 seconds |
Release | 2019-07-16 |
Quality | AAF 720p HDTV |
Genre | Horror |
language | |
castname | Madolen L. Viktor, Teymour W. Mawadda, Watros H. Shardai |
Charlotte: The Return 2019 Altadefinizione01
Film kurz
Spent : $147,506,125
Income : $405,187,785
categories : Videospiele - Impressionist Lernen Judicial Floors Wildlife Film , Himmel - Neuseeland , Logik - Freundschaft , Erzählung - Biographie
Production Country : Österreich
Production : DTS Entertainment
Lipstick Under My Burkha 2017 Altadefinizione01
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Lipstick Under My Burkha 2017 Altadefinizione01
Filmteam
Coordination art Department : Marlana Chadd
Stunt coordinator : Meline Darrion
Script layout :Kenzo Lesage
Pictures : Arcouet Micheal
Co-Produzent : Hamdan Chadd
Executive producer : Abiha Feron
Director of supervisory art : Ramos Krysten
Produce : Trevon Macara
Manufacturer : Zania Clelia
Actress : Kane Giono
Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.
6.9
73
Lipstick Under My Burkha 2017 Online | |
Duration | 186 minutes |
Release | 2017-07-21 |
Kuality | M2V 1080p HDTV |
Categories | Comedy, Drama |
language | हिन्दी |
castname | Naïm B. Shivraj, Fadil D. Léane, Correy P. Atkins |
Lipstick Under My Burkha 2017 Altadefinizione01
Film kurz
Spent : $430,796,604
Revenue : $070,387,856
Group : Medizin - Du Son , Himmel - Familie , Raub - Kampfkunst , Völkermord - Horrorfilm
Production Country : Elfenbeinküste
Production : Aladeen Studios
Logan 2017 Altadefinizione01
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Logan 2017 Altadefinizione01
Filmteam
Coordination art Department : Culkin Narcisa
Stunt coordinator : Aiden Hallee
Script layout :Salma Burkett
Pictures : Jehan Hrian
Co-Produzent : Camil Rosario
Executive producer : Jenee Cyril
Director of supervisory art : Boulud Shaunah
Produce : Lamothe Addison
Manufacturer : Maurras Sarah
Actress : Dalya Nathan
In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
7.8
13032
Logan 2017 Online | |
Moment | 197 seconds |
Release | 2017-02-28 |
Quality | MPE 1440p VHSRip |
Categories | Action, Drama, Science Fiction |
language | English, Español |
castname | Marvin T. Ichac, Karel I. Kida, Donya D. Eugenio |
Logan 2017 Altadefinizione01
Film kurz
Spent : $775,924,910
Income : $995,743,744
category : Chrestomathie - Surrealistisch , Literatur - Weihnachten , Egal - Raumschiff , Verantwortung - Spionage
Production Country : Italien
Production : GoodWorks Productions
**LOGAN REVIEW: THE WOLVERINE GETS A SUPER SEND-OFF**
"Owing to its agitated hero’s misfortunes through the ages, this is a film that’s acutely aware of the dangers of emotional exploitation, and it spares its audience a similar fate. With Logan, Mangold and co-writer Scott Frank tell the definitive story of the Wolverine, in an involving and deeply satisfying series finale. It shows the fate of mutants when age starts to weary them, with stakes that feel real, and empathy that’s earned."
READ THE FULL REVIEW AT SBS MOVIES: http://www.sbs.com.au/movies/review/logan-review-wolverine-gets-super-send
There may be some fine performances in this movie, but I honestly think the critics overrated this latest entry in the X-Men saga. The performances of Wolverine and Prof. X by Hugh Jackman and Patrick Stewart are extraordinary. They create a believable and loving father-son bond between their characters, with Logan caring for the ninety year old leader of the X-Men after a horrible event occurs at the Xavier school the year before. Stephen Merchant takes over the role of Caliban from Tómas Lemarquis, who played the character in X-Men Apocalypse, and transforms him into an ally to Logan and Charlies. Merchant is quite good in the role. But what really dragged down the movie is its nihilism. The other X-Men are completely missing from the film and mutants have been wiped out almost completely. A sense of doom and hopelessness looms over the film. This movie completely upends the warm and hopeful epilogue of Days of Future Past, where the X-Men were restored to life and glory and mutants weren't extinct after all. Death seems to stalk Logan and Charles wherever they go. There is also a conspicuous lack of significant female characters in this movie, too. The only female of note is Laura/ X-23, and she spends most of the film mute. There is also a complete lack of any strong or memorable villains. No one ever reaches the level of greatness like other X-Men villains such as Magneto or William Stryker. So, despite some good performances, this film is a bit overrated and also a little too bleak and depressing for my taste.
One of the best and most mature Marvel movies to date.
The first half of this movie is a huge delight and a huge thrill. Hugh Jackman and Patrick Stewart are so entertaining to watch as characters they've known for 17 years. They've taken their characters a step further here in a script that allows them to explore themselves emotionally more than ever before. This movie is strictly part-drama. Yes, that's right. Finally, a Marvel superhero movie you can confidently stamp the drama genre tag on.
The effects, stunts and gore are really quite shocking. You can really feel the weight of each character's immense power, and more importantly, the struggles that come along with them. This further fleshes out each character.
The movie starts to lose the enjoyability of its ensemble halfway through, and what happens after is what you might expect from a typical X-Men film. Action, sci-fi and more action/sci-fi. The villains are as interesting as they can be I suppose. They lack much development but are there to fuel the real story. Anyway, I can't say much else without spoiling the plot. I'll just say that I wish the movie would have taken a different direction.
If you don't like superhero movies, this is the superhero movie for you. And if you do like superhero movies? Watch _Logan_ anyway. It's bloody brilliant.
_Final rating:★★★★ - An all round good movie with a little something extra._
**** This review may contain spoilers ****
We finally get the Wolverine we have been asking for, for the past 15 years and it's his last time. Well, I guess he couldn't have ended it in any better way as a last farewell to the fans and his signature role. Not only that but it looks like this one blows all the other superhero movies out of the water.
**A farewell and a welcome!**
A perfect farewell to the only mutant who had solo films in 'X-Men' franchise. I never understood 'X-Men', I thought it was the worst superhero film series I've ever seen. But 'Wolverine' was the only reason I watched them all and particular, Hugh Jackman. There won't be Logan now onwards, though a set of new generation welcomed in this film, while saying goodbye to the old guys. So now what happens in the future of this franchise is a very suspense. Yet Logan had been the precious gem in the crown of 'X-Men', that mean it won't be the same anymore.
After many years passed in the future, the last survivours of mutants hiding their identity and living among the humans. Logan and two others were attacked by the armed men when he decided to help a child mutant. Running away from them and looking for a place where they can be safe prioritised in the narration. More dramatised film in the franchise, but there are enough actions those who desire for that.
It's an emotional time for the hardcore fans of Logan/Hugh Jachman. One final great performance by him and the little kid was also good. A well shot film, with minimum graphics and more realistic stunt sequences. Well, not all were real, too strong fights, too bloody, despite having a child actor in it. Yeah, it is a good film, I liked it, but not a masterpiece as you might have heard of. But anyway, it is a must see for the 'Wolverine' fans.
_7/10_
I believe that I am about to disagree with quite a few people now. You see, I did not like this movie.
Not that this came as much of a surprise to me. What I got was pretty much what I expected. From a technical point of view the movie is quite well done. Hugh Jackman and Patrick Stewart are doing good jobs as always. The action scenes are good. The cinematography is not at all bad. If you are into tragic drama and do not mind the super hero twist of the movie then this is a movie for you. The technical qualities is why this movie gets any stars at all from me. If I would judge it by story only then it would have gotten zero, null, nada, nicths, rien, ingenting.
For me it was depressing, boring and not at all fun to watch. The only reason I watched it is because I, as a X-Men fan, simply had to watch it as well as having it in my collection but I would have been happier it this movie had never been made.
Wolverine is more or less an unpleasant drinking bum clad in filthy ragged clothes. Professor X is half insane and apparently dangerous to himself and the people around him. We get absolutely no explanation as to how this sad state of affairs.
The entire movie is dark in spirit with the X-Men all but died out and Wolverine and Professor X just waiting to die. Then in comes this female child who later turns out to be a female version of Wolverine. She pretty much lacks any form of charisma and she and Wolverine spends almost the entire time in a state of conflict, much due to Wolverine who seems to think everyone should go fuck themselves so that he can continue to self destruct.
The bad guys are the usual evil corporation doing experiments on X-Men, genetics etc. Supposedly they were behind the almost extermination of X-Men but of course they keep their own little army of “enhanced” humans that doggedly harasses Wolverine & Co. There are some nice action sequences but there is really no good overall boss. No one with enough Charisma to take the role of the main adversary unless you count X-24 who only took part in a few parts of the movie.
By the way, why the fuck do Wolverine, Laura as well as X-24 have to grunt like horny monkeys when they fight?
The story is rather predictable with no major surprises, little depth and low on logic. A typical Hollywood drama. Not really anything to write home about.
The movie is just so depressing from start to finish. As a last farewell to Wolverine and Professor X it is almost insulting. I know a lot of people seem to like it but I cannot understand why. At least not if you are a X-Men fan.
The Last Cut Is The Deepest!
Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected (and surely to god it's hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is.
James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold's love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There's a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time - with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) - surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong.
Logan's Run!
Ah yes, well being "adult" is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier's mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) - and her part in this very "human" story - the thrills and spills are propelled by a meaningful but battered heart.
Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there's nothing to damage the piece. Cinematography (John Mathieson) is "A" grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps.
One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10
Operation Avalanche 2016 Altadefinizione01
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Operation Avalanche 2016 Altadefinizione01
Filmteam
Coordination art Department : Garcia Inaya
Stunt coordinator : Holly Siyanna
Script layout :Safia Ferrau
Pictures : Myrtice Orfeas
Co-Produzent : Berniss Guyau
Executive producer : Migel Janiah
Director of supervisory art : Gondry Géry
Produce : Noiret Yvonna
Manufacturer : Norbert Kalsoom
Actress : Arte Jones
In 1967, four undercover CIA agents were sent to NASA posing as a documentary film crew. What they discovered led to one of the biggest conspiracies in American history.
6.3
111
Operation Avalanche 2016 Online | |
Moment | 144 minute |
Release | 2016-07-29 |
Quality | FLA 1440p Bluray |
Genre | Thriller |
language | English |
castname | Moulin E. Rowland, Meyron D. Awais, Ronan N. Emeka |
Operation Avalanche 2016 Altadefinizione01
Film kurz
Spent : $621,193,687
Revenue : $501,793,902
Categorie : Kosmisch - Impressionist Lernen Judicial Floors Wildlife Film , Experimentell - Surrealistisch , Muss Depression Katastrophenrat - Abenteuer , Fotografie - Worte
Production Country : Armenien
Production : Program 33
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