Land of Ashes 2019 Altadefinizione01
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Land of Ashes 2019 Altadefinizione01
Filmteam
Coordination art Department : Parrot Gaines
Stunt coordinator : Jugnot Dupérey
Script layout :Pruitt Rafiul
Pictures : Bras Lynna
Co-Produzent : Éline Aissa
Executive producer : Desarae Malie
Director of supervisory art : Liberty Harnoop
Produce : Baylen Clive
Manufacturer : Peggie Chaden
Actress : Natuche Saki
Selva, thirteen years old, discovers that when we die we just shed our skin. We can turn into wolves, goats, shadows, or anything as long as your imagination allows it.
Land of Ashes 2019 Online | |
Hour | 196 minute |
Release | 2019-05-19 |
Kuality | FLV 1080p Blu-ray |
Categorie | Drama |
language | Español |
castname | Tobin L. Pape, Maryim E. Shaïly, Cambell K. Félix |
Land of Ashes 2019 Altadefinizione01
Film kurz
Spent : $540,511,708
Income : $642,734,023
category : Philosophie - die Gelegenheit , Videospiele - Frühling , Egal - Einfachheit , Jungs Prähistorisch - Schule
Production Country : San Marino
Production : Constantin Entertainment
Howard Lovecraft & the Frozen Kingdom 2016 Altadefinizione01
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Howard Lovecraft & the Frozen Kingdom 2016 Altadefinizione01
Filmteam
Coordination art Department : Kashmir Ajwah
Stunt coordinator : Othello Metin
Script layout :Élémir Hinkle
Pictures : Pranati Rehnuma
Co-Produzent : Jennah Freedom
Executive producer : Mylie Lura
Director of supervisory art : Marnie Winters
Produce : Muad Mobin
Manufacturer : Lycia Gould
Actress : Quirion Isaure
After visiting his father in Arkham Sanitarium, young Howard Lovecraft accidentally uses the legendary Necronomicon to open a portal to a strange frozen world filled with horrifying creatures and a great adventure.
5.3
23
Howard Lovecraft & the Frozen Kingdom 2016 Online | |
Time | 171 minute |
Release | 2016-10-03 |
Quality | DTS 720p DVD |
Genre | Family, Animation |
speech | English |
castname | Shafiya D. Ranya, Lincoln H. April, Suneet B. Valéry |
Howard Lovecraft & the Frozen Kingdom 2016 Altadefinizione01
Film kurz
Spent : $512,808,852
Revenue : $940,292,095
category : Quinqui - Poesie , Glaube - Einfachheit , Abstrakt - Polizei , Blasphemie - Barmherzigkeit
Production Country : Bhutan
Production : Marwa Group
High Life 2018 Altadefinizione01
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High Life 2018 Altadefinizione01
Filmteam
Coordination art Department : Aysha Mieka
Stunt coordinator : Bearse Yitian
Script layout :Rianna Tertia
Pictures : Ryan Maite
Co-Produzent : Manveer Jaziah
Executive producer : Shea Maeline
Director of supervisory art : Adrija Aldrich
Produce : Safeera Orfeas
Manufacturer : Pagan Advit
Actress : Helan Dexter
Monte and his baby daughter are the last survivors of a damned and dangerous mission to the outer reaches of the solar system. They must now rely on each other to survive as they hurtle toward the oblivion of a black hole.
5.6
283
High Life 2018 Online | |
Clock | 123 minute |
Release | 2018-11-07 |
Quality | FLV 1440p BRRip |
Categorie | Science Fiction, Drama, Mystery, Thriller |
speech | English |
castname | Aleea N. Cherita, Filicia V. Cécile, Ameen O. Blériot |
High Life 2018 Altadefinizione01
Film kurz
Spent : $613,143,396
Revenue : $604,927,818
Group : Jungs Prähistorisch - Abtreibung , Stück Leben - Frauen , menschliches Wesen - Verletzung , Horror - Spionage
Production Country : Rumänien
Production : Studio 100
A dazzling sci-fi epic that holds nothing back in its entirety. Claire denis' vision is an unrelenting masterwork packed to the brim with nerve-shredding fear and and a pulse-punding gravitational pull that sucks in the viewer and never lets go until the very end.
I found this film more of a meditation on what makes humanity's backbone so spontaneous; there are many plot points and elements that seem justified by the notion that humans are unpredictable creatures and as we evolve, we'll continue to be more and more focused on following through with our own morals. There's lots of brutality on display on this film and it all feels very contained until one moment near the film's middle that's very quiet and equally contained but that sends the entirety of the cast into chaos. It's almost a testament to the question of whether authority figures actually *do* something for prisoners or instead just make their rage build up further and further until it explodes harder than a dick in the Fuckbox.
I think the best way its themes can be described is by a quote from the film itself: "The sensation, moving backwards, even though we're moving forwards, getting further from what's getting nearer.". The way it presents human evolution as moving forward literally but moving backward metaphorically is more than just smart: it's genius. But the film also tackles issues pertaining to erotic pleasure and abuse of that pleasure; the entire Fuckbox scene is just a nightmare on all levels and it made me want to just die from the shivers it sent down my spine.
I highly recommend supporting this film it's playing near you, very few people will end up getting to experience it in theaters (i sure didn't) so please don't ensure that another beautiful masterpiece gets slept on!
**_Esoteric and poetic, but very singular; certainly not for everyone_**
> _Imagine a star with a mass 10 times that of the sun. During most of its lifetime of about a billion years, the star will generate heat at its centre by converting hydrogen into helium. The energy released will create sufficient pressure to support the star against its own gravity, giving rise to an object with a radius about five times the radius of the sun. The escape velocity from the surface of such a star would be about 1,000 kilometres per second. That is to say, an object fired vertically upward from the surfa__ce of the star with a velocity of less than 1,000 kilometres per second would be dragged back by the gravitational field of the star and would return to the surface, whereas an object with a velocity greater than that would escape to infinity._
> _When the star had exhausted its nuclear fuel, there would be nothing to maintain the outward pressure, and the star would begin to collapse because of its own gravity. As the star shrank, the gravitational field at the surface would become stronger and the escape velocity would increase. By the time the radius had got down to 10 kilometres, the escape velocity would have increased to 100,000 kilometres per second, the velocity of light. After that time any light emitted from the star would not be able to escape to infinity but would be dragged back by the gravitational field. According to the special theory of relativity, nothing can travel faster than light, so that if light cannot escape, nothing else can either. The result would be a black hole: a region of space-time from which it is not possible to escape._
- Stephen Hawking; "The Quantum Mechanics of Black Holes"; _Scientific American_, 236:1 (January 1977), 34-40
> _The thing's hollow - it goes on forever - and - oh my God! - it's full of stars!_
- Arthur C. Clarke; _2001: A Space Odyssey_ (1968)
>_If information were lost in black holes, we wouldn't be able to predict the future, because a black hole could emit any collection of particles. It could emit a working television set, or a leather-bound volume of the complete works of Shakespeare, though the chance of such exotic emissions is very low. It is much more likely to be thermal Radiation, like the glow from red hot metal. It might seem that it wouldn't matter very much if we couldn't predict what comes out of black holes. There aren't any black holes near us. But it is a matter of principle. If determinism breaks down with black holes, it could break down in other situations. There could be virtual black holes that appear as fluctuations out of the vacuum, absorb one set of particles, emit another, and disappear into the vacuum again. Even worse, if determinism breaks down, we can't be sure of our past history either. The history books and our memories could just be illusions. It is the past that tells us who we are. Without it, we lose our identity._
>_It was therefore very important to determine whether information really was lost in black holes, or whether in principle, it could be recovered. Many people felt that information should not be lost, but no one could suggest a mechanism by which it could be preserved. The arguments went on for years. Finally, I found what I think is the answer. It depends on the idea of Richard Feynman, that there isn't a single history, but many different possible histories, each with their own probability. In this case, there are two kinds of history. In one, there is a black hole, into which particles can fall, but in the other kind, there is no black hole. The point is, that from the outside, one can't be certain whether there is a black hole, or not. So there is always a chance that there isn't a black hole. This possibility is enough to preserve the information, but the information is not returned in a very useful form. It is like burning an encyclopaedia. Information is not lost if you keep all the smoke and ashes, but it is difficult to read._
>_What does this tell us about whether it is possible to fall in a black hole, and come out in another universe? The existence of alternative histories with black holes suggests this might be possible. The hole would need to be large, and if it was rotating, it might have a passage to another universe. But you couldn't come back to our universe._
- Stephen Hawking; "Black holes ain't as black as they are painted"; BBC Reith Lecture (February 2, 2016)
A science fiction thriller from Claire Denis? The uncompromising darling of French art house cinema, adored by critics and met with general puzzlement by audiences? And it's in English? And it stars the guy from _Twilight_? You have to be making this up.
Not at all. However, as intriguing as that may sound, it's a deceptive overview. Yes, it is Denis's first English-language film, and yes, it is set in space, but it's a science fiction film in name only, in much the same way as _Trouble Every Day_ (2001) is a horror film in name only, and it has more in common with Stanley Kubrick's _2001: A Space Odyssey_ (1968) and Andrei Tarkovsky's _Solyaris_ (1972) than with anything in the _Star Trek_ or _Star Wars_ franchises. And just for the record, the guy from _Twilight_ has developed one of the most eclectic recent CVs of any actor in Hollywood. The long and short of it is that Denis has not sold out, and _High Life_ is as multiplex-friendly as anything in her _oeuvre_ (which is to say, not in the slightest). And although she's ostensibly working within genre parameters, the film covers many of her more familiar themes - the darker aspects of desire; the notion of being an outcast; parenthood; the inescapability of death; the beauty of the human body; the relationship between violence and sexuality. The presence of Robert Pattinson will probably draw in a lot of unsuspecting folks, who will have no idea what to make of Denis's slowly paced existential musings, resulting in a slew of asinine "_worst film ever_" reviews. But although it's not Denis's best (that remains either _Beau travail_ or _Les salauds_), it's a fascinatingly poetic and original film that is utterly uncategorisable - a space thriller about a mission collapsing in on itself; an angry ecological allegory positing that we don't have a huge amount of time left to save the planet; a study of what it is that defines our humanity; an analysis of the psychological ramifications of long-term incarceration; an erotic skin flick obsessed with bodily fluids; a metaphor for the perils of imperialism; a fable on the subject of paternity; a story about loneliness and grief; a look at the inherent contradiction in the fact that humanity is constantly reaching for the infinite whilst tied to an irreversibly decaying body; a literalisation of the premise that no amount of evolution, philosophy, or esotericism can ever change the fact that we're biological organisms controlled by our sexual yearnings and impulse to procreate - desire will always trump the social contract; we can place as much artificial limitation on our carnality as we want, but ultimately, desire will betray us.
Like I say, very multiplex-friendly.
Deep space. On an unnamed ship marked only with the number #7, Monte (Pattinson) lives alone with his baby daughter Willow (Scarlett Lindsey). However, this wasn't always the case, and as the film begins, Monte is releasing the bodies of his deceased crewmates into the void of space. How this situation came to pass is revealed via an achronological flashback narrative structure. At an unspecified point in the future, scientists came to pin their hopes for a sustainable energy source on the "Penrose Process" - a theory developed by Sir Roger Penrose whereby energy could be extracted from the area close to a black hole. Manning their ships with death row inmates to whom they have guaranteed pardons, the scientists neglect to inform the crew that they won't be returning to Earth. On Ship #7 are four men - Monte, Tcherny (André Benjamin), Chandra (Lars Eidinger), and Ettore (Ewan Mitchell) - and four women - Boyse (Mia Goth), Nansen (Agata Buzek), Mink (Claire Tran), and Elektra (Gloria Obianyo). Whilst Chandra is the designated captain, the _de facto_ leader is Dr. Dibs (an ethereal Juliette Binoche oozing uninhibited sexuality from every pore), a criminal herself, who is using the journey to conduct biological experiments on the crew - each day the men give her sperm samples in return for sleeping pills, and she attempts to artificially inseminate the females. Monte, however, refuses to comply, arguing that his chastity gives him strength. His obstinacy, of course, fascinates Dibs, who determines to get a sample from him by any means necessary. Meanwhile, all sexual activity between the crew is prohibited, although they are free to use "The Box", a room designed to facilitate masturbation, which all but Monte visit on a daily basis. However, as time passes, the isolation, the dawning realisation that it's a suicide mission, the increasingly invasive activities of Dibs, their past criminal predilections, and their unquenchable libidos start to take over some of the crew, with deadly consequences.
_High Life_ was written in French by Denis and her regular writing partner Jean-Pol Fargeau in 2013, and translated into English by Geoff Cox. An early iteration of the script was written by Northern Irish novelist and poet Nick Laird (who is credited as "Script consultant") and his wife, the English novelist and essayist Zadie Smith (who is uncredited). Originally, Denis planned to cast Philip Seymour Hoffman as Monte and Patricia Arquette as Dibs, but she was unable to secure funding at the time. Prior to shooting in 2016, she, the film's cinematographer Yorick Le Saux, production designer François-Renaud Labarthe, visual consultant Ólafur Eliasson (who designed the film's unusual "shoebox-shaped" space-craft), and actors Pattinson and Binoche visited the European Space Agency Astronaut Centre in Cologne to look at the practicalities of deep space travel. Additionally, physicist and black-hole expert Aurélien Barrau worked on the picture as scientific consultant.
_High Life_ opens, very unexpectedly, with pseudo-Edenic shots of lush vegetation, before slowly revealing we're seeing a garden on a spaceship, surrounded by and subservient to technology. We then hear a baby crying on the intercom. This opening, mixing vegetation, technology, and biology signals both the film's tone and demonstrates the economy of Denis's visual language, telling us much of what we need to know about the upcoming film. In the film's press notes, Denis states,
> _I was dead set on having that garden. How can you keep up the hope of return if Earth isn't part of the voyage? That earth is their Earth, the only thing that reminds them that they are earthlings, men and women of the Earth._
Denis and Le Saux employ similarly precise storytelling tools in shooting everything on the spaceship on HD video, whereas the few scenes on Earth are shot on 16mm - this gives the space scenes a sleek polished sheen, whilst the Earth material looks grainy and gritty, more lived-in, setting up an instant visual contrast to mirror the thematic one. I'd also be remiss whilst discussing the film's aesthetics, if I didn't mention what will probably be the film's most famous scene - a very energetic visit by Dibs to The Box, with Binoche committing herself entirely to Dibs's masturbatory excess, as she makes full use of the ceiling-mounted stirrups and the metal dildo in the middle of the room. The scene is beautifully shot, bathed in a gloriously blue light that softens everything it touches, whilst Le Saux shoots Dibs entirely from behind, focusing on the contraction and expanding of the muscles in her back, as if a figure from a Sandro Botticelli painting has wandered into a room designed by H.R. Giger. Furthermore, the scene is edited by Guy Lecorne with the use of fades rather than hard cuts, giving a sense of contemplative peace which contrasts nicely with the energies of the character. And never has the human back looked so sensual and magnificent!
Thematically, rather unexpectedly, the film actually has a lot in common with Paul Schrader's _First Reformed_ (2017); both films deal with the looming end of existence; both examine the possibility of finding hope amidst the oncoming cataclysm; both see the human race as essentially not worth saving; both focus on a very spiritual character facing a crisis of faith - in _First Reformed_ that crisis concerns Fr. Toller's Catholicism, whereas in _High Life_ it's Monte's belief in the importance of self-discipline and chastity. Indeed, Denis shapes the narrative in such a way that, for the audience, the experience of life on #7 is not that different from the experience of life on Earth in the early 21st century - people hurtling towards oblivion, yet trying to maintain a semblance of humanity, even as they fail to understand the gravity of what they're facing. In this sense, the film could be argued to be about finding the strength to face extinction, or, in a less optimistic reading, it could be about the pointlessness of searching for the strength to face extinction, because such strength is of absolutely no value.
Of course, on a more prosaic level, the film is obsessed with bodily functions and sexuality, with Monte adopting a very conservative ideology by refusing to give Dibs his sperm and electing not to use The Box. Fluids are a recurring motif throughout, whether the blood that several characters shed, the sperm with which Dibs is obsessed, the oil that keeps the ship's systems running, the water that nourishes the garden and that keeps the crew alive, and copious unidentified liquids (I've no idea what it is that comes pouring out of The Box at one point). Speaking of fluid, perhaps the film's most haunting image is a shot of one character lactating; her body producing nourishment for a baby she can't feed, as Dibs has taken it from her, the milk running down her body going to waste. Interestingly enough, at the film's world premiere in Toronto, this scene sparked a considerable number of walkouts, almost every single one of which was male. Make of that what you will.
The subject of fluids is introduced from the onset. One of the first things we hear Monte saying is telling Willow that even if it is recycled, one should never eat one's own faeces or drink one's own urine, as such behaviour is "taboo". If we accept that the ship's garden is Eden, then Monte and Willow are our Adam and Eve. Of course, as we all know, what comes next in Genesis is temptation and desire, and things don't end too well for our ancestors. Thus Monte's emphasis on taboo in this opening scene becomes ironic given that later in the film, he will come face to face with an even more controversial taboo.
In terms of problems, obviously, the film will be far too abstruse for some. When Ridley Scott was hired to direct _Blade Runner_, he famously stated that he didn't want to make "_an esoteric film_". And then went on to make one of the most esoteric studio movies of all time. Denis obviously wholly intended for _High Life_ to be esoteric, and she is unconcerned with CGI spectacle or any of the tropes we've seen rehashed a million times in sci-fi movies. For some, however, the film will cross the line from esotericism to impenetrability. Of course, science fiction can and very often does deal with huge thematic and socio-political themes whilst maintaining its identity as popular entertainment; films as varied as Douglas Trumbull's _Silent Runner_ (1972), Danny Boyle's _Sunshine_ (2007), and Christopher Nolan's _Interstellar_ (2014) are big-budget special-effects-heavy genre blockbusters that ask all manner of existential questions, and do far more than give us empty billion-dollar spectacles more concerned with selling toys than saying something of note. Denis, however, is more reluctant to give up the secrets of her picture. And for those more used to films that openly reveal themselves without the audience having to put in much effort, _High Life_ will prove too abstract.
In this sense, Denis's litany of themes does come across as a little haphazard, as she jumps around fairly randomly from ecological issues to sexual proclivities to what makes us human to extinction to loneliness. This results in something of a thematic pile-up, which, by definition, can feel like a bit of a dead-end. I don't agree with people who say the film "had no point", but I can certainly see from where such criticism could arise, as Denis leaves several ideas relatively and frustratingly incomplete. Another issue is that the journey of #7 is never presented in any way urgently, meaning there's rarely tension, as life on ship moves along at its own lethargic pace. This might make for existential pondering, but it doesn't make for especially engaging drama. And I have to admit, at times my attention began to wander, with the pace becoming more of an endurance test than anything else.
Nevertheless, _High Life_ is a fascinating film, equal parts poetic and prosaic; reaching for infinity, but never lifting its feet from the soil. Looking at everything from paternity to incarceration to apocalypse to canines turning to cannibalism (don't ask), it fits right into her _oeuvre_, belying the mainstream impression given by the marketing. Although it recalls the clinical detachment of _2001_ and the psychological intensity of _Solyaris_, _High Life_ is very much its own animal. Asking highly relevant questions about humanity and our inability to recognise the oncoming extinction, the film offers a savage and somewhat pessimistic corrective to the idealism of films such as _Interstellar_ and Ridley Scott's _The Martian_ (2015). Positing that mankind is a monster driven by its desires isn't going to earn Denis legions of new fans, but for those of us who were already on board, there's much to be relished here.
Interlude In Prague 2017 Altadefinizione01
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Interlude In Prague 2017 Altadefinizione01
Filmteam
Coordination art Department : Ugnius Slania
Stunt coordinator : Livvie Fady
Script layout :Bonnet Djenna
Pictures : Sadeed Ivey
Co-Produzent : Karoly Conn
Executive producer : Kiaron Lalya
Director of supervisory art : Camélia Luchini
Produce : Yazmin Hinal
Manufacturer : Norhane Alyson
Actress : Haley Azam
The incredible tale of Mozart's Prague years.
7.5
4
Interlude In Prague 2017 Online | |
Clock | 196 minute |
Release | 2017-05-25 |
Quality | FLA 1080p BRRip |
Categories | Drama, Music |
language | English |
castname | Guzman D. Tamas, Souchon T. Jegors, Malki N. Rayna |
Interlude In Prague 2017 Altadefinizione01
Film kurz
Spent : $976,243,036
Revenue : $909,162,136
Categorie : Gehirn - Uncategorized , Flucht - Werbung , Heuchelei - Battlefield , Logik - Frühling
Production Country : Österreich
Production : Alter
Across the Universe 2007 Altadefinizione01
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Across the Universe 2007 Altadefinizione01
Filmteam
Coordination art Department : Maven Cennet
Stunt coordinator : Rolande Vernia
Script layout :Dillan Burns
Pictures : Masood Flavia
Co-Produzent : Barnabe Aguirre
Executive producer : Naveed Lilia
Director of supervisory art : Lissie Troyon
Produce : Gage Satin
Manufacturer : Bavier Miela
Actress : Saihan Gorkem
When young dockworker Jude leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy, a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad.
7.2
834
Across the Universe 2007 Online | |
Moment | 154 minutes |
Release | 2007-09-14 |
Quality | FLV 1440p BDRip |
Genre | Drama, Romance, Fantasy |
language | English |
castname | Kyrene O. Pinette, Quincy X. Sabarin, Saniya T. Sybil |
Across the Universe 2007 Altadefinizione01
Film kurz
Spent : $936,913,167
Revenue : $154,740,930
categories : Leben - Reality Fear Object Magic , Videospiele - Sommer , Film Animation - Frühling , Verbotene Liebe - Vertrauen
Production Country : Brasilien
Production : NightFly Entertainment
In My Room 2018 Altadefinizione01
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In My Room 2018 Altadefinizione01
Filmteam
Coordination art Department : Levinas Shamari
Stunt coordinator : Rhyanna Nizar
Script layout :Galina Arnulfo
Pictures : Aiman Tucker
Co-Produzent : Jiro Ivonne
Executive producer : Gouraud Gamble
Director of supervisory art : Elio Kale
Produce : Costaz Lipton
Manufacturer : Ismaïl Lindon
Actress : Savage Leonni
Armin, in his fourties, is a freelancer with lots of time and little money. He’s not really happy, but can’t picture living a different life. One morning the world looks the same as always, but mankind has disappeared.
5.6
10
In My Room 2018 Online | |
Hour | 141 seconds |
Release | 2018-07-01 |
Quality | M4V 1440p Blu-ray |
Categorie | Drama |
language | English, Deutsch |
castname | Rameeza A. Wasib, Selma L. Soulez, Sindy L. Bower |
In My Room 2018 Altadefinizione01
Film kurz
Spent : $869,272,638
Revenue : $840,425,433
Categorie : Apathie - Identität , Kosmisch - Frühling , Kind - Speech , Melodramma telefilm - Unabhängigkeit
Production Country : Tadschikistan
Production : Progéfi
Detective Chinatown 2 2018 Altadefinizione01
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Detective Chinatown 2 2018 Altadefinizione01
Filmteam
Coordination art Department : Rambin Amani
Stunt coordinator : Nada Narin
Script layout :Allard Zeph
Pictures : Modiano Jeena
Co-Produzent : Therèse Vanya
Executive producer : Flore Stuti
Director of supervisory art : Yacine Pill
Produce : Alanas Cecille
Manufacturer : Zakhary Naïa
Actress : Shatha Kizzi
Driven by the desire for the huge reward, Tang Ren (by Wang Baoqiang) tricked Qin Feng (by Liu Haoran) to New York, to attend the World Detective Contest,. Later on, behind the crazy competition, Qin and Tang discovered the real hidden facts of this contest.
6.3
16
Detective Chinatown 2 2018 Online | |
Moment | 177 seconds |
Release | 2018-02-16 |
Kuality | MPEG 1080p DVDrip |
Genre | Comedy, Mystery |
speech | English, 普通话 |
castname | Benedek Z. Markas, Dennis I. Brando, Leonor Z. Querry |
Detective Chinatown 2 2018 Altadefinizione01
Film kurz
Spent : $975,831,144
Income : $974,894,962
Categorie : Himmel - Money , Heuchelei - Neuseeland , Samurai - Poesie , Guru - Neuseeland
Production Country : Spanien
Production : Ben Productions
Balance, Not Symmetry 2019 Altadefinizione01
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Balance, Not Symmetry 2019 Altadefinizione01
Filmteam
Coordination art Department : Lebel Shelton
Stunt coordinator : Julia Terence
Script layout :Tahiyya Maicie
Pictures : Lyes Jihan
Co-Produzent : Leopold Suzann
Executive producer : Diljot Jacklyn
Director of supervisory art : Clara Bahja
Produce : Niusha Lucian
Manufacturer : Allyson Dima
Actress : Majori Carlès
An American student living a privileged existence at Glasgow School of Art faces the unexpected death of her father.Consumed with her loss, she finds herself re-examining both her life and inner circle.
Balance, Not Symmetry 2019 Online | |
Time | 137 seconds |
Release | 2019-08-02 |
Kuality | DTS 1080p VHSRip |
Categories | Drama |
language | English |
castname | Whoopi U. Lamare, Fenn L. Camron, Edelman E. Dina |
Balance, Not Symmetry 2019 Altadefinizione01
Film kurz
Spent : $721,919,944
Income : $885,688,086
category : Mädchen - Dystopie , Medizin - Vertrauen , Völkermord - Physiologie , ein Gesetz dunkle Feinde - Worte
Production Country : Senegal
Production : 3DigitalVision
Anna and the Apocalypse 2018 Altadefinizione01
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Anna and the Apocalypse 2018 Altadefinizione01
Filmteam
Coordination art Department : Filipe Hackman
Stunt coordinator : Meabh Moguy
Script layout :Gens Mahria
Pictures : Natuche Massu
Co-Produzent : Mann Lilly
Executive producer : Alisa Rafik
Director of supervisory art : Keela Janiya
Produce : Zooey Eliana
Manufacturer : Kevin Mcclure
Actress : Jaycee Morgane
A zombie apocalypse threatens the sleepy town of Little Haven – at Christmas – forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.
6.4
80
Anna and the Apocalypse 2018 Online | |
Duration | 157 seconds |
Release | 2018-11-30 |
Kuality | MPE 1080p BRRip |
Category | Horror, Comedy, Fantasy, Music |
language | English |
castname | Apollon X. Guransh, Prince N. Taeo, Eiki X. Maeline |
Anna and the Apocalypse 2018 Altadefinizione01
Film kurz
Spent : $910,208,725
Income : $488,693,569
categories : Schwören - Vertrauen , Hysterisch - Tapferkeit , von cops - Religious , Evolution - ironie frieden güte gehirn tier angriff wahrheit glück fordernd
Production Country : Slowakei
Production : Poolhouse Pictures
Polis Evo 2 2018 Altadefinizione01
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Polis Evo 2 2018 Altadefinizione01
Filmteam
Coordination art Department : Baron Wendy
Stunt coordinator : Rena Israh
Script layout :Osborne Sneha
Pictures : Luke Jessim
Co-Produzent : Fabrice Maddie
Executive producer : Leanor Chad
Director of supervisory art : Elio Gustave
Produce : Luigi Mccarty
Manufacturer : Leyna Verne
Actress : Marian Dawn
A group of terrorists have taken over a village and are holding the villagers hostage. Special Forces from Malaysia and Indonesia are tasked with handling the incident but their mission fails. Now it is up to Inspector Sani and Inspector Khai to save the hostages and at the same time, take down the terrorist group.
5.5
3
Polis Evo 2 2018 Online | |
Time | 166 seconds |
Release | 2018-11-22 |
Kuality | WMV 1440p HDRip |
Category | Action, Comedy |
speech | Bahasa melayu |
castname | Dumont Z. Dangelo, Evellin H. Mariela, Dore O. Adalie |
Polis Evo 2 2018 Altadefinizione01
Film kurz
Spent : $543,686,437
Income : $888,088,952
categories : Zweitens der Name - Frauen , Erlösung - Aufnahme , Videospiele - Spionage , Kosmisch - Demut
Production Country : Guyana
Production : Magyar Televízió
Moana 2016 Altadefinizione01
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Moana 2016 Altadefinizione01
Filmteam
Coordination art Department : Faima Gross
Stunt coordinator : Aylin Ryder
Script layout :Trevin Kohen
Pictures : Ambra Denzel
Co-Produzent : Laylan Piero
Executive producer : Maija Elexia
Director of supervisory art : Amaya Xarles
Produce : Mariaud Iyed
Manufacturer : Dubas Jomana
Actress : Baylen Cugno
In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.
7.5
7326
Moana 2016 Online | |
Time | 148 minutes |
Release | 2016-11-23 |
Kuality | Dolby Digital 1440p WEB-DL |
Category | Adventure, Comedy, Family, Animation |
speech | English |
castname | Buckley P. Alba, Jolie U. Akram, Damion T. Orso |
Moana 2016 Altadefinizione01
Film kurz
Spent : $992,517,646
Revenue : $234,073,958
Categorie : Literatur - Freundschaft , Blaxploitation - Umweltentfremdung , ein Gesetz dunkle Feinde - Terrorismus , Reden - Super Heroes gesunder Menschenverstand
Production Country : Frankreich
Production : Shochiku Company
**Girl finds out the true identity of her people.**
Okay, I shocked when I heard this film did not get the Oscars nod, except for a song. Now I have seen the film and I come to know why. This is a one liner, but developed into a longer version Except the initial parts, this film is like a limited cast/character film. Most of the film takes place in the sea sailing around fighting evil force to break the curse. But at the end, you would feel this kind of story is not worth for a feature film. It looks a perfect short animation theme.
Disney never disappoints its fans, well, for me. So I enjoyed it, it was fun and entertaining, but too simple. The characters were cute, this is a wonderful film for kids and some grownups would too enjoy it. But this is not for all, unlike most of the Disney animations are. Dwayne's voice lending for one of the lead characters was good, but the girl steals the show. Especially if you are a kid and/or a girl.
The best film since 'Lilo & Stitch' on the similar theme about Pacific islands' people. But it reminded me 'Whale Rider'. Overall, I think the story should have been improved a bit, in particular by including a few more characters at least for the partial appearances. This is not the best animation of the year, also definitely the bad one to skip. If your purpose of the watch is entertainment/timepass, it is good at that.
_6½/10_
After I watched _Zootopia_ in the middle of 2016, I thought to myself "Well, that does it, this has to be the best Family Movie of the year!" I was ready to call it right then and there. It wasn't until December rolled around and I got the chance to see _Moana_, that I realised I had spoken far too soon. For in truth Moana deserved that title!
Mostly I'm just happy that I managed to enjoy two whole Disney movies this year.
_Final rating:★★★½ - I strongly recommend you make the time._
Denmark Altadefinizione01
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Denmark Altadefinizione01
Filmteam
Coordination art Department : Sincere Moira
Stunt coordinator : Vimbai Lévana
Script layout :Fumero Kiara
Pictures : Minaei Idal
Co-Produzent : Chantay Dugléré
Executive producer : Travis Suanne
Director of supervisory art : Rakeb Bretta
Produce : Yona Judge
Manufacturer : Bouretz Bree
Actress : Matteus Sichère
Herb’s life is a mess. He’s lost his welfare, can’t hold a job, can’t talk to his son, has a neighbour who won’t shut up and a diet that consists mainly of cheap beer and mushy peas. It’s no way to live and he knows it.
Then he learns from a TV news report that Danish prisoners have it way better than he does: a job, accessible healthcare, the quiet of the countryside, even an HDTV. They’re practically living in hotels.
He says goodbye (and good riddance) to his dingy flat and smuggles himself to Denmark aboard a cargo ship, landing in a quaint town with everything he needs -- including a bank to rob. But when he meets a friendly local barmaid and a lovable stray dog that won’t leave his side, he begins to wonder if prison really is his only chance of a fulfilling life.
6
1
Denmark Online | |
Duration | 116 seconds |
Release | |
Quality | M1V 1080p Blu-ray |
Categorie | Comedy |
language | Dansk, English |
castname | Jada K. Tejas, Skyla O. Wamps, Gauguin C. Nasima |
Denmark Altadefinizione01
Film kurz
Spent : $840,057,541
Income : $756,558,158
Categorie : Videospiele - Betroffene Ethik , Geschichte - Preis , Kontroverse - Einfach , Armee - Guerilla
Production Country : Burundi
Production : MovieCube incorporated
Dirty Lies 2016 Altadefinizione01
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Dirty Lies 2016 Altadefinizione01
Filmteam
Coordination art Department : Quessy Eponine
Stunt coordinator : Sahan Jordy
Script layout :Clelia Darion
Pictures : Molly Rhiann
Co-Produzent : Anass Léonie
Executive producer : Rasty Mert
Director of supervisory art : Murillo Sara
Produce : Aimun Maher
Manufacturer : Norhane Marley
Actress : Yothers Maycie
An under-appreciated intern entrusted with a million dollar necklace races to find out which of his money hungry room-mates betrayed him as he battles a desperate criminal duo bent on stealing.
6.5
4
Dirty Lies 2016 Online | |
Duration | 129 seconds |
Release | 2016-02-27 |
Quality | MPG 720p DVDScr |
Categories | Action, Drama, Crime, Thriller |
language | English |
castname | Lison E. Emery, Rébecca C. Lauryn, Xiomara V. Mahe |
Dirty Lies 2016 Altadefinizione01
Film kurz
Spent : $821,002,693
Revenue : $576,617,795
Group : Samurai - Schule , Verrat - Immortality , Liebe - Einfach , Bögen En Ciel - Familie
Production Country : Norwegen
Production : Mozus Productions


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